“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By Ray Pride Pride@moviecitynews.com
Picturing Sundance 2014 x 13 (Plus 140-Character Grasps For Instantaneous Truth)
If you go to parties, you miss movies. If you go to movie after movie after movie, you don’t have time to write, let alone think. But! Thank the Movie Godz for Twitter and for photographs. The quick quip and apt snap are more quickly up on my Twitter and Instagram (with RTs from others at the MCNtweets account). A raft of full-on reviews may have to wait a couple days: Wednesday and Thursday are sizing up as quadruple features, at the least. I’m dying to describe the titanic charm and simple, subversive comic loveliness of Obvious Child at length, as well as delve into the painterly effects of Love Is Strange, the look of which seems patterned after many of the artists who would have been contemporaries of John Lithgow’s character. Alas! Twitter reactions and more photos below. (The actual Twitter handle is @ebertmovie.)
Zellner-Kikuchi-Zellner at their opening night pour.
The ancient indiefilm burial ground. Jamie Stuart says he can see Happy, Texas from here.
Press office. STAFF ONLY.
Stealthfest. Best rumors hold that FILM X tonight will be Nymphomaniac or Foxcatcher.
Consultant Peter Broderick in motion.
Lynn Shelton, also in motion.
Get off the shuttle, the cool air hits your face, the dusk is blue and luminous, the chatter of the bus falls away, and on the sidewalk, you run into people you’re meant to run into.
Intimacies exchanged at the Slamdance opening night party in an underground parking garage.