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Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing Sundance 2014: 21 Images

Sleep is good. Seeing movies is better. Writing solid, thoughtful reviews instead of instant reactions longer than a well-wrought tweet: even better. Those will come later, but for the day, a few quick descriptions and some more glimpses of 10 days at Sundance. (All images © 2014 Ray Pride.)

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LOT

They don’t want you to park at the Library.

Abandon

Abandon Hope, All Ye…

Filmmaker Reception

At Riverhorse, Filmmaker-Journalist reception.

IRON HORSE

Sometimes you get onto the wrong shuttle. Well, more than once. It shouldn’t be twice in a row. Argh!

Facetime oldtimer

Main Street: a large number of oldtimers would just stop, plant themselves and FaceTime away.

Wow in Park City

WOW indeed. 4.0 to the moon!

Faraci, Buchanan copy

Devin Faraci, Kyle Buchanan at Filmmaker-Journalist reception at the Riverhorse.

Banksy

Gawker shadows fall across the Banksy on the side of Java Cow.

BRM Trivia

The annual indiefilm trivia at the Yarrow, led by Tom Hall, with John Vanco and Matt Dentler to the right.

Main Street Wednesday

Midweek, a raft of journalists and filmmakers and most all of the “gifting suites” beat a path to SLC.

HQ In the gloaming

The Festival HQ in the gloaming.

Don't Go in the Shop

Don’t go into the Shop.

Nick Cave

Before 20000 Days On Earth at the Prospector.

Robert Greene copy

Robert Greene, estimable documentarian and editor of Listen Up Philip.

ARP Receives

The receiving line for Alex Ross Perry after Listen Up Philip at The Marc. (The line extends beyond the frame.)

Silver Miner

A sky the silver miners could have seen in the nineteenth century.

Filmmaker press lunch

The Filmmaker-Press reception (pastrami and tuna tartare bites not shown).

Peter

Buttons from the Montreal remembrance ceremony for late documentary man-about-world Peter Wintonick.

Fritz the Bear

Fritz the Bear.

Main Street moon

The moon over Main Street. And: Joe Swanberg after the no-longer-secret screening of Nymphomania.

Swanberg Nymphomania

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“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes