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Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing Sundance 2014: 21 Images

Sleep is good. Seeing movies is better. Writing solid, thoughtful reviews instead of instant reactions longer than a well-wrought tweet: even better. Those will come later, but for the day, a few quick descriptions and some more glimpses of 10 days at Sundance. (All images © 2014 Ray Pride.)

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LOT

They don’t want you to park at the Library.

Abandon

Abandon Hope, All Ye…

Filmmaker Reception

At Riverhorse, Filmmaker-Journalist reception.

IRON HORSE

Sometimes you get onto the wrong shuttle. Well, more than once. It shouldn’t be twice in a row. Argh!

Facetime oldtimer

Main Street: a large number of oldtimers would just stop, plant themselves and FaceTime away.

Wow in Park City

WOW indeed. 4.0 to the moon!

Faraci, Buchanan copy

Devin Faraci, Kyle Buchanan at Filmmaker-Journalist reception at the Riverhorse.

Banksy

Gawker shadows fall across the Banksy on the side of Java Cow.

BRM Trivia

The annual indiefilm trivia at the Yarrow, led by Tom Hall, with John Vanco and Matt Dentler to the right.

Main Street Wednesday

Midweek, a raft of journalists and filmmakers and most all of the “gifting suites” beat a path to SLC.

HQ In the gloaming

The Festival HQ in the gloaming.

Don't Go in the Shop

Don’t go into the Shop.

Nick Cave

Before 20000 Days On Earth at the Prospector.

Robert Greene copy

Robert Greene, estimable documentarian and editor of Listen Up Philip.

ARP Receives

The receiving line for Alex Ross Perry after Listen Up Philip at The Marc. (The line extends beyond the frame.)

Silver Miner

A sky the silver miners could have seen in the nineteenth century.

Filmmaker press lunch

The Filmmaker-Press reception (pastrami and tuna tartare bites not shown).

Peter

Buttons from the Montreal remembrance ceremony for late documentary man-about-world Peter Wintonick.

Fritz the Bear

Fritz the Bear.

Main Street moon

The moon over Main Street. And: Joe Swanberg after the no-longer-secret screening of Nymphomania.

Swanberg Nymphomania

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“It would be difficult to find something made by a human being that isn’t pregnant with a vision of the world. Likely impossible. It’s inherent to existence. It turns out that world visions can coincide with a certain hegemonic idea of what the world is —or not. It’s like when they say that “indie cinema” is intellectual, simply because it does not coincide with a narrative system the industry legitimates. But the industry is as intellectual as ‘indie’ movies. The difference is that one affirms reality, doesn’t call it into question. And not all ‘art movies’ are after that. You’ve got to call reality into doubt. Or better yet, I’d say you’ve got to be suspicious of reality. Because if you’re not, there’s no possible transformation. Every one of us who has done cinema —to speak just of moviemaking— has contributed our perspectives to a vision of the world. A community needs that —lots of perspectives. There will be times when some are valued more than others. But the really important thing is that a lot of different visions coexist. The big task is to facilitate that variety.”
~ Lucrecia Martel

“It’s a film festival’s job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. ’A form that thinks, and a thought that forms,’ as Jean-Luc Godard has it.”
~ Hans Hurch, late director of the Viennale