By Ray Pride Pride@moviecitynews.com

Critics Top Ten List 2013: Steven Rea, Philadelphia Inquirer

12 Years a Slave
All Is Lost
American Hustle
Blue Is the Warmest Color
Enough Said
Frances Ha
Inside Llewyn Davis
Stories We Tell

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“The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.”
Robert Bresson

“I used to always think that was something low-budget films could use more of — a sense of geography — and now I even think it’s big-budget movies. So often when I see a movie, I don’t know where I am and I can’t quite follow — because the pacing is always so quick, and it’s a lot of long lenses and constantly editing where you’re changing the shot. There’s something refreshing for me about looking down the street and seeing a character and panning all the way over and seeing the other character and go, okay, I know where everybody is. Now when I cut to the other character, I wonder what the other person is doing because I know where he is. I know he’s around the corner because they just showed me that, and it creates not only a sense of geography logically in the movie, but it makes the movie larger than the screen. It makes you think about it and it creates suspense. We used to be really good about that, but [with] the ADD-ness of people now, we’re always moving the plot along so fast, you don’t get a sense of where you are and where everybody is and that’s doing a disservice to movies.”
~ Ti West On What More Movies Need

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