MCN Columnists

By Jake Howell jake.howell@utoronto.ca

14 Must-See Films at Sundance ‘14

While the Sundance 2014 line-up has been out since late November, it usually takes me until I have a physical program guide in my hands before I know exactly what it is I need to pay attention to. (The information, while available online via the festival website, is just far easier to digest in print). Now, having spent the past days combing through the catalogue, I’ve found several films that have me more than excited to return to Park City. I steered clear of rubber-stamping Sundance regulars, or the latest Joe Swanberg venture (Happy Christmas), Kristen Wiig drama (The Skeleton Twins) or either of the Phillip Seymour Hoffman films (God’s Pocket and A Most Wanted Man). Not that those films don’t sound just fine, mind you.

The following is grouped by programming section. My must-see films are primarily American, but as Sundance is the premiere festival for American independent cinema, it’s expected.

US Documentary Competition

THE CASE AGAINST 8 – Directed by Ben Cotner, Ryan White

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One of the most emotional experiences I’ve ever had at Sundance was a public screening of 2010’s 8: The Mormon Proposition (nary a dry eye in the house). And given Utah’s recent marriage equality gain (Utah’s ban on same-sex marriage was ruled unconstitutional on December 20), it now seems especially prudent to take in a documentary about the subject. The Case Against 8 follows a team that took the first Californian marriage equality lawsuit to the Supreme Court, and it’s sure to be affecting.

IVORY TOWER – Directed by Andrew Rossi

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I love when documentaries are described as “urgent.” Ivory Tower looks at Harvard University and ties it back in to the financial crisis, painting “an urgent portrait of a great American institution at the breaking point.” With looming tuition costs and crippling student debt across the country, is going to college really worth it? As a recent university graduate, I’ll be sure to see this film and update readers on this pressing question. (Kidding aside, the film sounds fascinating.)

FED UP – Directed by Stephanie Soechtig

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There’s a common theme in the upcoming documentaries I want to see. Alongside The Case Against 8 and Ivory Tower and their respective crises, Fed Up focuses on an issue that is currently paramount in the United States: obesity. The film promises to reveal a “thirty-year campaign by the food industry, aided by the US government, to mislead the American public, resulting in one of the largest health epidemics in history,” which is a lofty, damning claim. Whether or not the film pays off, though, is something else entirely.

Sundance Premieres

LITTLE ACCIDENTS – Directed by Sara Colangelo

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I’ve been interested in small-town mysteries ever since binging on “Twin Peaks” last summer, so I’ll be making sure I catch Little Accidents. The film looks at a tiny American industry town coping with the disappearance of a teenaged boy, and as the drama unfolds, three residents are sucked into a “web of secrets.” Sold. The film also gives us the chance to check in on Jacob Lofland, the child actor of Mud who played Neckbone.

THEY CAME TOGETHER – Directed by David Wain

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I’ll be honest: as a big fan of offbeat comedy troupe Stella (featuring the stylings of David Wain, Michael Ian Black and Michael Showalter), I’m looking forward to They Came Together solely because it’s a project written by Showalter and Wain. Wain reteams with Paul Rudd (having worked previously together on 2012’s Wanderlust), while Amy Poehler, Ed Helms, and Cobie Smulders tag along in this New York City-based subversive romantic comedy. Michael Ian Black makes a cameo.

YOUNG ONES – Directed by Jake Paltrow

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First glance at the program book: is that Michael Shannon holding a rifle? Yes; yes it is. A quick Google search later and I learn that Young Ones is a science-fiction Western by a director I’m not familiar with. But it doesn’t really matter what this film is about in the slightest, because director Jake Paltrow had me at “Michael Shannon with a rifle.” I hope that’s what the initial pitch to producers boiled down to.

THE RAID 2 – Directed by Gareth Evans

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I was going to avoid putting this film on my must-see list because it’s kind of a no-brainer. But since I saw The Raid at TIFF’s Midnight Madness world premiere and was present for a sneak-peek Midnight Madness clip of The Raid 2 back in September 2013, it’s safe to say that I need to see this film as soon as I possibly can. Reportedly, the running time is a hard-punching 148 minutes.

THE VOICES – Directed by Marjane Satrapi

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Whenever I see the term “genre-bending” in a Sundance programme book, I’m immediately interested. Then I notice The Voices features an “evil talking cat” and a “benevolent talking dog” in a live-action film by Marjane Satrapi (Persepolis) and I say to myself, “oh look, Ryan Reynolds and Anna Kendrick star in this.”

I ORIGINS – Directed by Mike Cahill

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You’ll remember director Mike Cahill from Another Earth, winner of Sundance 2011’s Alfred P. Sloan prize. He’s back at the festival with I Origins (again starring Brit Marling), a film that features two molecular biologists who discover “startling evidence that could fundamentally change society as we know it.” For better or for worse, the premise reminds of something like Vincenzo Natali’s Splice (which played Sundance’s Park City at Midnight program in 2010) but as Cahill’s film is playing in the Premieres section, we can expect a more dramatic sci-fi.

HITS – Directed by David Cross

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David Cross (Tobias of “Arrested Development”) joins Sundance for his feature directorial debut. Hits looks at a small town in upstate New York obsessed with the realm of YouTube fame, featuring a major turn by Matt Walsh (of the Upright Citizens Brigade) and a small role for Wyatt Cenac (one of the best “Daily Show” correspondents in memory). Cross is following the path of his “Arrested Development” co-star Jason Bateman who recently debuted with the fairly funny Bad Words, so it should be interesting to catch Cross’ chance at bat.

Sundance’s “Next”

PING PONG SUMMER – Directed by Michael Tully

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Michael Tully (of HammerToNail.com) brings us what could a part of a Computer Chess double-bill: Ping Pong Summer sounds awkward, it sounds funny, and it’s set in the 1980s. Add in summer love, rap music, and some misunderstood adolescence, and you’ve got the makings of a potential Sundance gem. And look at that: Susan Sarandon’s in it!

US Dramatic

KUMIKO, THE TREASURE HUNTER – Directed by David Zellner

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The summary for Kumiko, the Treasure Hunter reads like a bizarro Nebraska: “a lonely Japanese woman becomes convinced that a fictional satchel of money is, in fact, real. Abandoning her structured life in Tokyo for the frozen Minnesota wilderness, she embarks on an impulsive quest to search for her lost mythical fortune.” That cache of money? We (and Kumiko, apparently) last saw it in Fargo. It’s a 105-minute long solo show (Pacific Rim’s Rinko Kikuchi plays the title character) and it sounds fantastic.

THE SLEEPWALKER – Directed by Mona Fastvold

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The set-up: when a young couple is violently interrupted at their home by some unexpected guests, The Sleepwalker “transcends genre conventions and narrative contrivances to reveal something disturbing.” And this movie isn’t in Sundance’s Next program? Count me in for something unique with this Norwegian-American co-production. With songs by Sondre Lerche; co-written by co-star Brady Corbet (Simon Killer).

World Cinema Dramatic

BLIND – Directed by Eskil Vogt

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Scandinavian cinema is often some of the craziest. Blind sees a woman who has recently lost her vision face her deepest fears and repressed fantasies as she navigates her house, alone with her husband. There’s surely more to this movie than its vague summary in the Sundance guide, as director Eskil Vogt helped write Joachim Trier’s excellent Oslo, August 31st. I don’t know what to expect other than something striking.

For more Sundance as it happens, follow @Jake_Howell on Twitter.

One Response to “14 Must-See Films at Sundance ‘14”

  1. Sam E. says:

    1. David Cross also has experience behind the camera in creating the excellent IFC miniseries Todd Margaret.

    2. I would add Zach Braff’s Garden State follow Wish I was here to the list.

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o