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By DP30 david@thehotbuttonl.com

DP/30: David O. Russell does American Hustle

2 Responses to “DP/30: David O. Russell does American Hustle”

  1. Charles Brown aka Wotan says:

    Mr. Pol
    and. I read your web page and blog as a form of entertainment, including the Oscar predictions. Every 5 years or so I get the urge to send you one of my stream of consciousness commentaries.
    (First aside- I know you earn your living from this, but isn’t it now time for you or someone to comment on the absurdity of Peter O’Toole never winning one. In my view, his performance as T.E. Lawrence is the greatest single performance in the history of the cinema, with the possible exception of Maria Falconetti. Yes, Gregory Peck was not going to lose for To Kill A Mockingbird, but Cliff Robertson over King Henry II!!?)
    My commentary this time is on the Best Supporting Actress race. The critics awards have been split between Lupita Nyong’o and Jennifer Lawrence and Ms. Nyong’o would appear to be the favorite, partly because it looks like 12 Years a Slave may be heading for a sweep.
    However, consider a couple of under the radar dynamics. The Oscar voters, and you, are unreconstructed liberals who believe that the race card should play a role. The quality of the performance is only one part of the dynamic. (Some other time I may send you an email on the schizophrenia of the Oscar voters when it comes to race. In the not recent past they have given Oscars to caucasians over better performances, on a quality scale, by African Americans and have many times given Oscars to African Americans who clearly did not deserve it just because of the race card. You know that is true.)
    This year Ms. Nyong’o is the favorite, but Oprah (the most powerful woman in the world) will receive a nomination. Whether Oprah campaigns for the award or not there are many voters who, when they enter the voting booth or send in their ballot, or whatever, will be compelled by their white liberal guilt to play the race card and vote for an African American. Many of those will vote for Oprah, for many reasons.
    Which leads us to J. Law. She gave her usual balls to the wall great performance in American Hustle and again blew people away. (My second aside. After seeing American Hustle I went home and watched Winter’s Bone for the umpteenth time. How can the person who was in those two movies be the same actress? J. Law is not, as I have heard numerous people say, the Meryl Streep of her generation. She is something more. She is the Robert Duvall of her generation).
    This now leads us to an analogy to the Best Actor race of 1974. Al Pacino and Jack Nicholson the two great young actors of that generation gave incredible performances that year. The Academy voters could not decide between them and thus split their vote between the two of them, allowing Art Carney to slip in and win. (Aside- Al Pacino winning his Oscar for Scent of a Woman and not for one of the Godfathers or Dog Day Afternoon- Jesus!!) The same thing could happen this year. The white liberal guilt-race card vote is split between Ms. Nyong’o and Oprah, potentially allowing J. Law to slip in, not that she would not deserve it.
    The other under the radar dynamic working against that scenario is that J. Law won last year. Many voters will be reticent to give an Oscar two years in a row to a 23 year old.
    Quite interesting- no? Wotan

  2. lee says:

    Great interview!
    I just wish DORussell wouldn’t be so quick to dismiss his earlier work. And sometimes he’s guilty of sticking to his well-tread talking points, but you did a nice job of pushing him to open up.

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“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour