2013 Critics Awards: Florida Film Critics Circle

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12 Years a SlaveBest Picture:
12 Years a Slave

Best Actor:
Chiwetel Ejiofor – 12 Years a Slave

Best Actress:
Cate Blanchett – Blue Jasmine

Best Supporting Actor:
Jared Leto – Dallas Buyers Club

Best Supporting Actress:
Lupita Nyong’o – 12 Years a Slave

Best Director:
Steve McQueen – 12 Years a Slave

Best Adapted Screenplay:
John Ridley – 12 Years a Slave

Best Original Screenplay:
Spike Jonze – Her

Best Cinematography:
Emmanuel Lubezki – Gravity

Best Visual Effects:
Gravity

Best Art Direction/Production Design:
The Great Gatsby

Best Foreign Language:
Blue is the Warmest Color

Best Animated Film:
Frozen

Best Documentary:
The Act of Killing

Pauline Kael Breakout Award:
Lupita Nyong’o – 12 Years a Slave

Golden Orange:
Dana Keith of the Miami Beach Cinematheque for his tireless championing of foreign, independent and alternative film in South Florida for more than 20 years.

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray