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By Ray Pride Pride@moviecitynews.com

SONY PICTURES ENTERTAINMENT AND MRC TO PARTNER ON “CHAPPIE,” THE NEXT FILM FROM NEILL BLOMKAMP

 Director of “District 9” and “Elysium” to Begin Production This Fall

CULVER CITY, Calif., August 13, 2013 – Sony Pictures Entertainment and MRC have agreed to co-produce and co-finance Chappie, the next film from writer-director Neill Blomkamp, it was announced today by Doug Belgrad, president of Columbia Pictures and Hannah Minghella, president of Production for the studio, and MRC.  The film will be marketed and distributed worldwide by Sony Pictures.

Blomkamp will direct the film from a screenplay he has written with Terri Tatchell.  He will also produce the film with Simon Kinberg.  Production is expected to begin this fall.

Chappie tells the story of a robot imbued with artificial intelligence who is stolen by two local gangsters who want to use him for their own nefarious purposes.  The film will star Sharlto Copley as the voice of Chappie, with Ninja and Yolandi Visser, voices of the South African Zef counter-culture movement and members of rap-rave duo Die Antwoord, as the two gangsters.

Commenting on the announcement, Belgrad said, “We’re huge fans of Neill Blomkamp – it’s a real thrill to be continuing our relationship with such a visionary and important filmmaker.  Neill has proven that he is a true original voice and we expect that Chappie will strike a chord with worldwide audiences in the same way that District 9 and Elysium have.  We love the script he and Terri have written and we’re looking forward to working again with our friends at MRC.”

“Neill is an incredibly talented and bold artist and we are proud to continue to support his work.  We are looking forward to partnering with the team at Sony on Chappie,” said Modi Wiczyk, co-CEO of MRC.

The announcement comes as Sony Pictures and MRC released Elysium, Blomkamp’s second feature, starring Matt Damon and Jodie Foster, which Blomkamp wrote and directed and also produced with Bill Block and Simon Kinberg.  Elysium opened at #1 in the U.S. this weekend, and was also #1 in Russia, Sweden, Taiwan and Ukraine. Sony Pictures also released Blomkamp’s first feature film, District 9, which took in over $200 million worldwide and earned four Oscar® nominations, including Best Picture.

Hannah Minghella and Rachel O’Connor will oversee Chappie for Sony Pictures; Brye Adler will oversee for Media Rights Capital.

About Media Rights Capital:

MRC is a leading independent film and television studio, specializing in the creation of premium entertainment content in partnership with the industry’s foremost creative talent and distributors.  In film, MRC has financed and produced 16 films distributed by Universal, Sony and Warner Bros., as well as leading international distributors. Ted is currently the #1 highest grossing R-rated original comedy of all time worldwide.  In television, MRC’s projects have been licensed to a number of broadcast and cable networks including ABC, HBO, Netflix, Lifetime, Comedy Central and CBS.  MRC’s latest series, “House of Cards,” was nominated for 9 primetime Emmy® awards, including Outstanding Drama Series. For more information, visit www.mrcstudios.com

 

About Sony Pictures:

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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