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By Ray Pride Pride@moviecitynews.com

Ben Wheatley makes his first video: “Formaldehyde” for The Editors (4’13″)

“A lot of directors come up through making pop promos: I didn’t,” Wheatley says. “My route in was through advertising, internet and television. The pop promo is something I’ve always been interested in. Music plays a big part in my film work and I’ve always admired the work of Michel Gondry, Chris Cunningham, David Wilson and Dougal Wilson to name but a few. I was very flattered to be asked.” [From. Via @keyframedaily.]

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman