MCN Columnists
Douglas Pratt

By Douglas Pratt Pratt@moviecitynews.com

DVD Geek: Red Hook Summer

Once Spike Lee made Malcolm X, he seemed to lose all of his relevance as a filmmaker, thus reinforcing the adage about being careful what you wish for.  But he really has only himself to blame.  His first films were genuinely edgy, exciting, and revelatory.  Other than his documentaries, his later films have all been flailing around in the dark, trying to find any kind of edge at all.  His 2012 feature, Red Hook Summer, available from Image Entertainment on Blu-ray, is heartbreakingly bad, because it almost isn’t.  If he had thought the story through a little bit more, if he had cast slightly better actors in a couple of key roles (although several others are excellent), and if he would permanently latch back onto the flamboyant style that is only seen in all-too-brief flashes, he might have had a genuinely gripping and dazzling movie.  Instead, it is a confused and uncomfortable one.  It begins as a promising kid’s story, about a young Atlanta boy who, for reasons that really demand more of an explanation than is given, has to spend his summer with his grandfather in Brooklyn.  The boy has not been brought up in the church, but his grandfather is the pastor of a small congregation, and the boy is dragged along to all of the church functions, which he doesn’t mind after he meets the daughter of one of the parishioners.  There is then a surprising and fairly horrific revelation, which upends the boy’s stay.  At its best, the film captures the free-spirited enthusiasm of its youthful characters while also exploring the differences in spirituality each older character has come to value.  Running 121 minutes, it could use a little trimming (Lee needs somebody he trusts to stand up to him and enforce discipline more than has been happening), but more significantly, it needs more consideration.  It feels like a rough draft or out-of-town tryout.  It has potential, but it requires more effort than was exerted, polishing its flaws and streamlining its dynamics.

 

The letterboxing has an aspect ratio of about 1.85:1, and while there is at times a viable, makeshift feel to the colors, they pop out wonderfully on the BD when the lighting is right and Lee is striving for that effect.  The DTS sound has an excellent directional mix that contributes significantly to a viewer’s engagement with the entertainment.  There are English and Spanish subtitles, a trailer, a music video and 27 minutes of passable behind-the-scenes footage.

 

Lee also supplies a commentary track, though he somewhat runs out of steam for a while in the second hour, and spends most of his time discussing the characters, the cast and the story.  He does address the plot’s most significant anomaly, and admits that it is the question he gets asked most often about the film, citing his reasoning for going ahead with the concept.  Since he is talking about the mutability of human nature, he is technically correct in his validation of the character’s actions, but good drama requires an emotional momentum that the viewer can comprehend, and Lee’s choices fail that test.

 

2 Responses to “DVD Geek: Red Hook Summer”

  1. GDA says:

    I’m in near-total agreement. I come out maybe slightly on the more positive side for “Red Hook Summer” because I’d still rather see a filmmaker take more risks for the sake of an imperfect picture than sit through any five more “successful” movies while they coast along the mid- to lower range of ambition.

    I’m really curious to watch the Blu, too, because in the theater where I saw it the music seemed awfully intrusive in many scenes; songs with lyrics cranked up so loudly they actually interfered with the dialogue–and I’m hoping that was peculiar to the venue somehow and not a fault of the film.

  2. bsanders says:

    I agree with the reviewer. There some good things in the film but it bogged down by bad acting by the two young leads and an underdevelop script. Like what was the reason for the mother to sent her son to her father when they (the father)had a falling out. Why would she sent her son into a dangerous situation. I was at a lost with this movie,and people say She Hate Me was bad, Red Hook was worst. I usually can find something good in his films but this one I couldn’t I don’t know what Spike Lee was thinking. I hope Oldboy put back on track.

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“I never, ever, ever read anything about myself. Not my interviews, not stories about me. I never, ever read any criticism of my films. I scrupulously have avoided any self-preoccupation. When I first started, that was not the case. I just pay attention to the work and don’t read about how great I am or what a fool I am. The enjoyment has got to come from doing the project. It’s fun to get up in the morning and have your script in front of you and to meet with your scenic designer and your cinematographer, to get out on the set and work with these charming men and beautiful women and put in this Cole Porter music and great costumes. When that’s over, and you’ve made your best movie, move on. I never look at the movie again — I never read anything about it again.”
~ Woody Allen

I do think the polemic of diversity right now is being handled with a lead pipe. It’s talked about in a way that’s not complex— and it’s a very complex issue. It’s not black and white. It’s not a conspiracy to keep women down. It’s a psychology of risk aversion. Women are question marks to the studios The indie world is changing, television is changing, but if you talk about mainstream Hollywood, they’re still looking at a question mark. [So] it’s not some kind of war. It’s people trying to figure out, imperfectly, how to change a culture that has been one way for a really long time. In terms of this movie, though, Sony was on our ass about diversity from day one. They were like, ‘Look: We want you to make your own movie. We just also want to tell you that there are other options, ones that we’re really open to, and here’s all the people we love.’ And those lists, they were the most diverse lists I’ve ever seen.
~ Jodie Foster

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