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By DP30 david@thehotbuttonl.com

DP/30 @ SXSW: Short Term 12, actor Brie Larson

4 Responses to “DP/30 @ SXSW: Short Term 12, actor Brie Larson”

  1. Lex says:

    Wait this is that hot chick from SCREAM 4 and FIVE YEAR ENGAGEMENT? Doesn’t even look like her.

  2. SamLowry says:

    Well, she is 23, so I guess on the Lex Scale she qualifies for AARP membership.

    (…and she was also the ex-GF from Hades in Scott Pilgrim. Gotta get that Pilgrim reference in there.)

    (…and I’m also glad to see her mug does say “Keep Calm and Carry On”–I’m starting to get really tired of The Chive.)

  3. Don R. Lewis says:

    I just met her tonight and am excited to see this interview. Talk about a genuinely NICE and intelligent woman….she’s awesome. So psyched SHORT TERM 12 won the narrative feature award tonight at SXSW too, I’m seeing it tomorrow. I cannot recommend Daniel Destin Crettin’s first feature I AM NOT A HIPSTER highly enough. Seek it out, it’s absolutely not waht you think.

  4. The Pope says:

    Ladies and Gentlemen,
    We give you the next Tracy Flick. Ambition. Youth. Energy. Intelligence. Confidence. Poise.

    And happily, in the eyes of this observer at least, completely lacking the unconscionable morass of self-entitlement that Flick had in abundance. Can’t wait to see how far she goes.

    Nice interview, David. Thanks.

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DP/30

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“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

“Lars. He’s done a lot of drugs. Over the hill. The last time I saw Lars, he was telling my wife he wants to have sex with her. I told him to fuck off. So he found another slut.”
~ Nicolas Winding Refn On Lars Von Trier

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