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By DP30 david@thehotbuttonl.com

DP/30 @ SXSW: Short Term 12, actor Brie Larson

4 Responses to “DP/30 @ SXSW: Short Term 12, actor Brie Larson”

  1. Lex says:

    Wait this is that hot chick from SCREAM 4 and FIVE YEAR ENGAGEMENT? Doesn’t even look like her.

  2. SamLowry says:

    Well, she is 23, so I guess on the Lex Scale she qualifies for AARP membership.

    (…and she was also the ex-GF from Hades in Scott Pilgrim. Gotta get that Pilgrim reference in there.)

    (…and I’m also glad to see her mug does say “Keep Calm and Carry On”–I’m starting to get really tired of The Chive.)

  3. Don R. Lewis says:

    I just met her tonight and am excited to see this interview. Talk about a genuinely NICE and intelligent woman….she’s awesome. So psyched SHORT TERM 12 won the narrative feature award tonight at SXSW too, I’m seeing it tomorrow. I cannot recommend Daniel Destin Crettin’s first feature I AM NOT A HIPSTER highly enough. Seek it out, it’s absolutely not waht you think.

  4. The Pope says:

    Ladies and Gentlemen,
    We give you the next Tracy Flick. Ambition. Youth. Energy. Intelligence. Confidence. Poise.

    And happily, in the eyes of this observer at least, completely lacking the unconscionable morass of self-entitlement that Flick had in abundance. Can’t wait to see how far she goes.

    Nice interview, David. Thanks.

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DP/30

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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…