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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

About Sunny: The Film Formerly Known as Think of Me

You know how sometimes you’ll see a film at a big fest, and really like it and hope it does well, and then it just seems to disappear off the radar for a while before it magically reappears? That’s the case with Bryan Wizemann’s excellent indie feature Think of Me, which I saw at Toronto waaaaaay back in 2011 and included in my 2011 wrap-up as a notable indie film of that year.

So now Think of Me finally has a VOD release, under a brand-new title, About Sunny. When I saw the film at TIFF, I wrote, in part:

As for Wizemann, he’s written a story that’s both broadly empathetic to the plight of the many, many people struggling on the brink of financial disaster to hold their lives and their families together, to take care of their kids and give them the best shot they can, and socially relevant to the moment in which we’re living. In Angela, he’s created a complex character, a mother who loves her daughter deeply and wants very much to be a good mom taking good care of her daughter, but who also makes some pretty terrible choices along the way. Yet Wizemann, with his own choices as a writer-director, refrains from judging Angela and women like her, instead choosing to simply observe her struggles and see where she goes. Smart film, smart filmmaking.

You can read my full write-up from 2011 right here. Suffice it to say, About Sunny is still a relevant film addressing one of the most pressing social issues (well, after Congressional budgetary nonsense, social security, mental health and our health care system) we’re dealing with today: How can a single parent struggling with her issues of addiction, depression and general inability to care for herself and her child make the right choices, when it’s unclear what choices there are and what the implications of each of those choices could be.

Here’s the film’s trailer:

This is the kind of smart, intimate storytelling that delves beyond so much of the same-old, same-old, “woe is me, my 20-something friends and I just can’t move past our ennui to get our shit together” indie films that we see over and over again at fests large and small. Wizemann’s film is beautifully shot, tells a complex story in a way that’s not contrived or overly complicated, and it’s anchored by a performance out of Lauren Ambrose that should have been the the one to shoot her to the top of the indie actress lists (she was nominated for the lead actress award at the Indie Spirits for her turn here). I’d love to see Ambrose get the kind of opportunities that Jennifer Lawrence saw post-Winter’s Bone … she’s really a terrific talent and I’d like to see much more from her.

Meanwhile, though, please check out Ambrose in the excellent, underseen About Sunny on VOD. You can find it on Oscilloscope On Demand or iTunes. Give it your support, y’all.

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“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook