By Ray Pride Pride@moviecitynews.com

WRITERS GUILD EAST ANNOUNCES TRIBUTE TO NORA EPHRON AT 2013 AWARDS CEREMONY

PRESS RELEASE

February 13, 2013

AUTHOR MEG WOLITZER LEADS TRIBUTE TO AWARD-WINNING WRITER AND DIRECTOR, THE LATE NORA EPHRON, AT AWARDS EAST COAST CEREMONY

New York City – Writers Guild of America, East today announced a tribute to award-winning, screenwriter, director, playwright, author, and Guild, East member Nora Ephron. The tribute to Ephron, who died in June, will be led by the author Meg Wolitzer, whose novel, “This Is My Life,” was adapted and directed by Ephron in 1992 and presented at the Writers Guild Awards East Coast ceremony on Sunday February 17, in New York City.

“At this year’s Writers Guild Awards East Coast ceremony, we will mark the passing of one of our most distinguished and creative members. Nora Ephron’s life and body of work were those of a quintessential New Yorker, but not only did she embody the sophistication, wit and energy of our city, she was also a loyal union member who walked the picket line and talked the talk on behalf of all her fellow writers,” said Michael Winship, President, Writers Guild of America, East.

During Ephron’s storied career as a journalist, essayist, playwright, screenwriter, novelist, producer and director, she came to embody the words “Written in New York,” with her iconic set-in-New York scripted films When Harry Met Sally and You’ve Got Mail.  Her most recent New York-centric work, the play, Lucky Guy, stars actor Tom Hanks and debuts on Broadway in March 2013.

Ephron was also a longtime Guild member and ardent supporter, and in 2003 received the union’s Ian McClellan Hunter Award honoring her body of work as a writer in motion pictures.

During her nearly four decades in film, Ephron wrote or co-wrote 14 produced screenplays, and had worked on or had in development many more. She directed eight films.  Her sister Delia Ephron was a frequent collaborator, co-writing Bewitched, Hanging Up, Michael, Mixed Nuts, You’ve Got Mail, and the off-Broadway play Love, Loss and What I Wore.

Nora Ephron was nominated three times– in 1984, 1990 and 1993, respectively– for the Academy Award in the category of “Best Writing, Screenplay Written Directly for the Screen,” for the films Silkwood, When Harry Met Sally and Sleepless in Seattle She was also nominated four times for the Writers Guild of America Award for Silkwood, When Harry Met Sally, Sleepless in Seattle and Julie & Julia.

Author, friend and Guild member Meg Wolitzer will speak and present a video with clips displaying Ephron’s characteristic style and charm from her films and television interviews.

The 2013 Writers Guild Awards will be held on Sunday, February 17, 2013, simultaneously at B.B. King Blues Club in New York City and the JW Marriott in Los Angeles. For more information about the 2013 Writers Guild Awards, please visit www.wgaeast.org or www.wga.org.

The 65th Annual Writers Guild Awards East Coast ceremony is supported this year by AT&T along with sponsors Ketel One, Raphael, Blue Moon Brewing Company and Corona Light. New York Magazine is the official media sponsor for the New York awards ceremony.

The Writers Guild of America, East (WGAE) and Writers Guild of America, West (WGAW) are labor unions representing writers in motion pictures, television, cable, digital media, and broadcast news. The Guilds negotiate and administer contracts that protect the creative and economic rights of their members; conduct programs, seminars, and events on issues of interest to writers; and present writers’ views to various bodies of government. For more information on the Writers Guild of America, East, visit www.wgaeast.org. For more information on the Writers Guild of America, West, visit www.wga.org.

Leave a Reply

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies