

LexG on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
LexG on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
LexG on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
LexG on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
LexG on: DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
guide for essay purchase on: Cannes Catch Up
brack on: Review-ish: Star Trek: Into Darkness (spoiler-free)
palmtree on: Review-ish: Star Trek: Into Darkness (spoiler-free)
Etguild2 on: Review-ish: Star Trek: Into Darkness (spoiler-free)
palmtree on: Review-ish: Star Trek: Into Darkness (spoiler-free)
DP/30: Fill The Void, director Rama Burshtein, actress Hadas Yaron
Weekend Estimates by Cap’n Klady
Review-ish: Star Trek: Into Darkness (spoiler-free)
DP/30: Erased, actor Aaron Eckhart
Cannes Day 2: Girls Just Wanna Have… (Part 2 of 2)
Cannes Day 2: Girls Just Wanna Have… (Part 1 of 2)
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RT @aliciamalone: 'Behind The Candelabra'... The Boyfriend Experience? #cannes2013
RT @filmnickjames: So will we "buy" BEHIND THE CANDELABRA? About to find out #cannes2013
RT @AwardsDaily: Cost for one day of wi-fi using pay-to-play in the Palais instead of free wi-fi in press room? 15 euro, which is about $19.
DP: Street O' Cannes https://t.co/j5FLuI858n
DP: Went back “Inside Llewyn Davis,” Finding it now. C. Mulligan cursing makes me happy. Cat’s overrated. Sympathetic to Llewyn, not a loser
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

And to think, we could’ve had 1/10th more of a “Green Hornet” sequel to look forward to instead…
“Okay, since you’ve had eleven years now to come up with a decent script but keep handing us nothing but shit, we went behind your back and decided to go high concept:
“Amelie 2: Amelie Drops Acid.
“Whaddya think?”
Samlowry,
I dunno. I think this is something I would prefer a lot more than Amelie. The images, sounds and moods Gondry present always feel a lot more spontaneous and freer than Jeunet’s. With him, I feel I’m in a headlock.
I remember looking forward to Science of Sleep and then not being able to get through it on multiple tries, still Gondry is interesting enough to follow when he goes down the rabbit hole so I am quite excited by this, when is SPC or Weinstein purchasing it?
And I am always willing to fall in love with Tautou again, if you’ve never seen Priceless I would strongly recommend it, best romantic comedy since..well Gondry’s Eternal Sunshine.
I didn’t know Nick Stahl spoke french.
Also, that Hey Ho song needs to die already.
Amelie is one of the best films of the 2000s, fact, any way you look at it.
wowowowowowow!
Even though I recorded Eternal Sunshine back when I still had cable and then bought the DVD for cheap, I’ve never watched either because a) the relationship plot was too painful and b) the technicians’ subplot was so asinine. It felt like Gondry realized too late that he didn’t have enough story to justify a feature length and threw in the slapstick to stretch out the running time, or he couldn’t settle on the right tone, or he just had no idea what he was doing.
I can only hope that someday there’s a phantom edit that cuts out everything but Carrey and Winslet.
So is every one going to use that song in their trailer now?
“Take the A-Train”?
And I have no idea how I managed to pull that out of my head since I don’t listen to jazz–guess I must be getting old.
I’ve never understood why Duris never got the Hollywood play other French actors like Depardieu, Tatou and Cotillard received. One view of The Beat That My Heart Skipped showed he has everything needed to cross over.
Okay, so the trailer is half daydream and half LSD, so we’re not really supposed to take anything here seriously…until all that weeping makes it obvious that the relationship is doomed because something unavoidable has befallen our lovers like, say, an incurable illness, which is what the film’s wiki page gives away.
And yet….
After going through a real medical emergency with a family member since my last comments on this piece, my discovery of what that mystery illness is last weekend shifted from WTF confusion to hope-all-the-prints-burn anger because Gondry paid actors to weep and gnash their teeth and beat their breasts because Tautou’s character just may die because…a water lily is growing in her lung.
Yeah.
And the only treatment is surrounding her with fresh flowers.
Yep.
Okay, so the idea came from Boris Vian’s novel, but still…WTF?!?
And just for the record–I liked Baron Munchausen, I understood Baron Munchausen, but this is crap.