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By Ray Pride Pride@moviecitynews.com

Quvenzhané Wallis Is ANNIE

QUVENZHANÉ WALLIS TO PLAY ANNIE FOR OVERBROOK ENTERTAINMENT, MARCY MEDIA AND SONY PICTURES ENTERTAINMENT
 
CULVER CITY, Calif., February 24, 2013 – Overbrook Entertainment, Marcy Media, director Will Gluck and Sony Pictures Entertainment have cast Academy Award® nominee Quvenzhané Wallis, the star of Beasts of the Southern Wild, in the title role of Annie, it was announced today by Doug Belgrad, president of Columbia Pictures, and Hannah Minghella, president of Production for the studio.

Commenting on the announcement, Minghella said, “With the recent Academy Award® nomination and critical acclaim, Quvenzhané Wallis is a true star and we believe her portrayal as Annie will make her a true worldwide star.  She is an extraordinary young talent with an amazing range, not only as an actress but as a singer and dancer, and we can’t wait for audiences to further discover her.”

Annie will be released during the winter holiday season in 2014. The film is being directed by Gluck and produced by James Lassiter, Jada Pinkett Smith, and Will Smith through Overbrook Entertainment, and by Shawn “JAY Z” Carter, Jay Brown, and Tyran “Ty Ty” Smith through Marcy Media.  Gluck is currently revising the film’s screenplay, which was written by Emma Thompson and rewritten by Aline Brosh McKenna based on the musical stage play “Annie,” book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin, and on “Little Orphan Annie,” © and ® Tribune Media Services, Inc. The film is being overseen at the studio by Andrea Giannetti and Devon Franklin.

QUVENZHANÉ WALLIS’ favorite pastimes are reading, singing, dancing, acting, and playing her iPod and Nintendo DS. Her favorite TV stars/singers are China McClain, Selena Gomez, and Miley Cyrus. Her favorite sports are basketball, volleyball, dance and cheerleading.  Her upcoming films include a role in Twelve Years a Slave with Brad Pitt, Michael Fassbender and director Steve McQueen.

About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in 159 countries. For additional information, go tohttp://www.sonypictures.com/

About Overbrook Entertainment
Overbrook Entertainment, founded by partners James Lassiter, Will Smith and run along with partner Jada Pinkett Smith, is committed to offering the highest quality entertainment focused in film and television and has produced a diverse slate of both critically acclaimed and blockbuster feature films, which have generated more than $2.5 billion dollars in worldwide box office receipts and even more in home video sales.

Some of Overbrook’s most successful films include ALI, HITCH, PURSUIT OF HAPPYNESS, I AM LEGEND, HANCOCK, SECRET LIVES OF BEES, and most recently THE KARATE KID. Overbrook’s next feature project is AFTER EARTH, which is set for a June 7th, 2013 release. They are also producing Queen Latifah’s syndicated daytime talk show with Sony Pictures Television that will premiere this fall.

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“I was a brat back when I made Pootie Tang. I was dealing with people every day whose pressures I didn’t understand, and I wasn’t very nice about how I said no to them. I put myself in a position I didn’t have to be in. A lot of what makes this kind of stuff work is empathy. If you’re taking money from somebody, they have a right to look after it. It’s all just trying to be clear about the arrangement. That’s why when I set up ‘Louie,’ I just said, ‘This is what I’m comfortable doing, and if you don’t want to do it, I don’t blame you. But in exchange, I’ll take very little money.’ I was only getting $200,000 per show from them, which is insane, and it goes up just by tiny increments every year. The other part of the arrangement with FX is that if this stops working for them, they should just tell me and we’ll stop doing it. Contractually, FX has a right to demand that the scripts be filtered through them before I shoot them, just like any other show. But from the beginning, they haven’t read anything, and they like the show. If I start turning in shit, then they’re going to start asking to see scripts, and that’s perfectly fair.”
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BOMB: Do you give a lot of direction?

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~ Olivier Assayas on directing

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