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Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing David Gordon Green’s JOE

From David Gordon Green’s “gritty” Southern drama Joe, with Nicolas Cage and Tye Sheridan (Mud, Tree of Life), selling at the Berlinale EFM. “Joe is written by Gary Hawkins based on the Larry Brown novel, and produced by Green, his longtime producer Lisa Muskat, and Worldview CEO Christopher Woodrow, alongside Derrick Tseng.

“In the dirty unruly world of smalltown Texas, ex-convict Joe Ransom (Cage) has tried to put his dark past behind him and to live a simple life. He works for a lumber company by day, drinks by night. But when 15-year-old Gary (Sheridan)—a kid trying to support his family—comes to town, desperate for work, Joe has found a way to atone for his sins—to finally be someone’s hero. As Joe tries to protect Gary, the pair will take the twisting road to redemption in the hope for a better life in this tough, hard-hitting but incredibly moving story.”

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Would you consider yourself a good person?
I would consider myself … decent as I got older. When I was younger I was less sensitive, in my 20s. But as I got older and began to see how difficult life was for everybody, I had more compassion for other people. I tried to act nicer, more decent, more honorable. I couldn’t always do it. When I was in my 20s, even in my early 30s, I didn’t care about other people that much. I was selfish and I was ambitious and insensitive to the women that I dated. Not cruel or nasty, but not sufficiently sensitive.
You viewed women as temporary fixtures?
Yes, temporary, but as I got older and they were humans suffering like I was … I changed. I learned empathy over the years.
~ Woody Allen To Sam Fragoso For NPR

“To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence. It looks to me very much like a significant section of the public, having given up on attempting to understand the reality they are actually living in, have instead reasoned that they might at least be able to comprehend the sprawling, meaningless, but at-least-still-finite ‘universes’ presented by DC or Marvel Comics. I would also observe that it is, potentially, culturally catastrophic to have the ephemera of a previous century squatting possessively on the cultural stage and refusing to allow this surely unprecedented era to develop a culture of its own, relevant and sufficient to its times.”
~ “Watchmen”‘s Alan Moore At His Alan Moore-iest

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