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Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing David Gordon Green’s JOE

From David Gordon Green’s “gritty” Southern drama Joe, with Nicolas Cage and Tye Sheridan (Mud, Tree of Life), selling at the Berlinale EFM. “Joe is written by Gary Hawkins based on the Larry Brown novel, and produced by Green, his longtime producer Lisa Muskat, and Worldview CEO Christopher Woodrow, alongside Derrick Tseng.

“In the dirty unruly world of smalltown Texas, ex-convict Joe Ransom (Cage) has tried to put his dark past behind him and to live a simple life. He works for a lumber company by day, drinks by night. But when 15-year-old Gary (Sheridan)—a kid trying to support his family—comes to town, desperate for work, Joe has found a way to atone for his sins—to finally be someone’s hero. As Joe tries to protect Gary, the pair will take the twisting road to redemption in the hope for a better life in this tough, hard-hitting but incredibly moving story.”

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“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

“HBO’s investment in these outlets for criticism belies an approach that blends the show itself with discussion about the show to create an overarching viewer experience. It’s not just the plot that entertains, but also theorizing, exploring the world’s mythology, and more that has engaged book readers for decades — and those aspects are now part of what HBO is producing, not just something happening at whatever passes for a water cooler or comic book shop these days. Benioff, Weiss, and HBO are blending entertainment and criticism into one giant, all-encompassing amalgamation of content. Something as grandiose and, indeed, as stunning, as ‘Game of Thrones’ requires it.”
#Content: Expanding Entertainment, Collapsing CriticismBy Matt Hartman

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