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Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing David Gordon Green’s JOE

From David Gordon Green’s “gritty” Southern drama Joe, with Nicolas Cage and Tye Sheridan (Mud, Tree of Life), selling at the Berlinale EFM. “Joe is written by Gary Hawkins based on the Larry Brown novel, and produced by Green, his longtime producer Lisa Muskat, and Worldview CEO Christopher Woodrow, alongside Derrick Tseng.

“In the dirty unruly world of smalltown Texas, ex-convict Joe Ransom (Cage) has tried to put his dark past behind him and to live a simple life. He works for a lumber company by day, drinks by night. But when 15-year-old Gary (Sheridan)—a kid trying to support his family—comes to town, desperate for work, Joe has found a way to atone for his sins—to finally be someone’s hero. As Joe tries to protect Gary, the pair will take the twisting road to redemption in the hope for a better life in this tough, hard-hitting but incredibly moving story.”

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“There’s a culture of friendship in Latin American cinema, between people like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro, which they in turn inherited from others. They’re a sensation of brotherhood, that people care abut you, look after you, which we’ve sought to maintain consciously. That ‘brotherhood’ is the best way to survive, to make better films, but it also a way of coming close to the biggest reason to make films. Filmmaking for me is like a fraternal act, like being with your family, and feeling that what we’re doing, when the film is over and makes some impact, is worth it. That intense encounter with all those people flowers, emanates for ever. You’re a kind of cousin, brother, lover, father, son of all those people with whom you worked. It’s a beautiful sensation.”
Gael García Bernal


Writer’s block?
“I don’t have it. Isn’t that great? It’s almost like a bit being a little insane; I’ve got so many stories in my head and so many people talking that I literally have to shut down, like shut out characters to start writing other shows. They all want to talk when I start. See, you’re going to make me sound crazy! But I sit down at the computer and I start writing a show, and especially a show like, “The Have and Have Nots” has been on for over a hundred episodes, “If Loving You is Wrong” is probably about 80 now, and so I know those people; “Too Close to Home” just started, it’s got 16. But I know them. So when I sit down to write I can tune into them and hear them, is what I mean.”
~ Tyler Perry On Process

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