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SamLowry on: Star Trek Babies 2: Spoiler Space (Spoilers)
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SamLowry on: BYOB: Gone Francin'
Review-ish: Star Trek: Into Darkness (spoiler-free)
DP/30: Erased, actor Aaron Eckhart
Cannes Day 2: Girls Just Wanna Have… (Part 2 of 2)
Cannes Day 2: Girls Just Wanna Have… (Part 1 of 2)
Star Trek Babies 2: Spoiler Space (Spoilers)
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RT @The_RobertEvans: "Any man that thinks he knows the mind of a women ... Knows nothin" Robert Evans
RT @XanBrooks: Biblical rain at #Cannes2013. Off to see Jodorowsky's La Danza de la Realidad - a dance that everyone here is all too famili…
RT @filmnickjames: THE PSYCHOTHERAPY OF A PLAINS INDIAN is exactly that, a case history talkfest with intriguing dream interludes.... #cann…
DP: Kore-eda’s Like Father, Like Son is beautiful, but as the parent of a small child (and an adoptee myself), it’s a horror movie
DP: Cannes is wet. http://t.co/QjhFyNJoFr
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

DIE HARD is doing so poorly domestically, that it may barely turn a profit after all…
SAFE HAVEN really is showing that Efron and Miley Cyrus didn’t add much to the grosses for their Sparks movies….
I’d say it’s more like, “‘Beautiful Creatures’……awwwwwwwww.”
I’m still puzzled as to why it’s done so poorly.
Did Warners overestimate the appeal of the YA books?