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By DP30 david@thehotbuttonl.com

DP/30s with Oscar Nominees

Someone requested a list today… so I figured some of you might like to have it as well. (after the jump)

Yes, watching all of these would take you at least 5x as long as watching the ™ show itself tonight.

Also, let’s see if anyone can find the DP/30 scheduled to be in the actual show tonight.

Argo
Ben Affleck Producer
Chris Terrio Screenplay
Alexander Desplat Composer

Lincoln
Sally Field Supporting Actress
Tony Kushner Adapted Screenplay
Janusz Kaminski Cinematography
Joanna Johnston Costumes
Rick Carter Production Design

Silver Linings Playbook
David O Russell Director/Screenplay
Jennifer Lawrence Actress
Bradley Cooper Actor
Jacki Weaver Supporting Actress
Jay Cassidy Editor

Zero Dark Thirty
Mark Boal producer/screenwriter
Mark Boal (Pt 2)
Jessica Chastain actor
William Goldenberg editor
Dylan Tichenor editor
Paul N.J. Ottoson sound designer

Beasts of the Southern Wild
Behn Zeitlin Director/Writer
Quvenzhané Wallis Actress
Lucy Alibar Writer
Ben Richardson Cinematographer

Amour
Michael Haneke (Cannes) writer/director

Life of Pi
Mychael Danna Composer

Moonrise Kingdom
Wes Anderson Producer/Screenplay

The Impossible
Naomi Watts Actress

The Sessions
Helen Hunt Supporting Actress

The Master
Amy Adams Supporting Actress

DOCUMENTARIES
The Gatekeepers Dror Moreh 
How to Survive A Plague David France 
The Invisible War Kirby Dick
Searching for Sugar Man John Battsek

FOREIGN LANGUAGE
A Royal Affair Nikolaj Arcel
War Witch Kim Nguyen
Amour Michael Haneke (LA)

ANIMATED FEATURE
Brave Mark Andrews
ParaNorman Sam Fell/Chris Butler 

Anna Karenina
Sarah Greenwood production design

Hitchcock
Howard Berger make-up

The Avengers
Jeff White fx supervisor

Skyfall
Greg Russell sound re-recording mixer

Django Unchained
Wylie Stateman Sound Mixing

The Hobbit
Joe Letteri Visual Effects

Flight
John Gatins Original Screenplay

Paperman
Animated Short John Behrs

One Response to “DP/30s with Oscar Nominees”

  1. The Pope says:

    Thank you David. Very grateful. Just one of the many reason I like visiting at your house.

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner