MCN Blogs

By DP30 david@thehotbuttonl.com

DP/30s with Oscar Nominees

Someone requested a list today… so I figured some of you might like to have it as well. (after the jump)

Yes, watching all of these would take you at least 5x as long as watching the ™ show itself tonight.

Also, let’s see if anyone can find the DP/30 scheduled to be in the actual show tonight.

Argo
Ben Affleck Producer
Chris Terrio Screenplay
Alexander Desplat Composer

Lincoln
Sally Field Supporting Actress
Tony Kushner Adapted Screenplay
Janusz Kaminski Cinematography
Joanna Johnston Costumes
Rick Carter Production Design

Silver Linings Playbook
David O Russell Director/Screenplay
Jennifer Lawrence Actress
Bradley Cooper Actor
Jacki Weaver Supporting Actress
Jay Cassidy Editor

Zero Dark Thirty
Mark Boal producer/screenwriter
Mark Boal (Pt 2)
Jessica Chastain actor
William Goldenberg editor
Dylan Tichenor editor
Paul N.J. Ottoson sound designer

Beasts of the Southern Wild
Behn Zeitlin Director/Writer
Quvenzhané Wallis Actress
Lucy Alibar Writer
Ben Richardson Cinematographer

Amour
Michael Haneke (Cannes) writer/director

Life of Pi
Mychael Danna Composer

Moonrise Kingdom
Wes Anderson Producer/Screenplay

The Impossible
Naomi Watts Actress

The Sessions
Helen Hunt Supporting Actress

The Master
Amy Adams Supporting Actress

DOCUMENTARIES
The Gatekeepers Dror Moreh 
How to Survive A Plague David France 
The Invisible War Kirby Dick
Searching for Sugar Man John Battsek

FOREIGN LANGUAGE
A Royal Affair Nikolaj Arcel
War Witch Kim Nguyen
Amour Michael Haneke (LA)

ANIMATED FEATURE
Brave Mark Andrews
ParaNorman Sam Fell/Chris Butler 

Anna Karenina
Sarah Greenwood production design

Hitchcock
Howard Berger make-up

The Avengers
Jeff White fx supervisor

Skyfall
Greg Russell sound re-recording mixer

Django Unchained
Wylie Stateman Sound Mixing

The Hobbit
Joe Letteri Visual Effects

Flight
John Gatins Original Screenplay

Paperman
Animated Short John Behrs

One Response to “DP/30s with Oscar Nominees”

  1. The Pope says:

    Thank you David. Very grateful. Just one of the many reason I like visiting at your house.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson