By Ray Pride Pride@moviecitynews.com

BAFTA 2013 Winners

BAFTA page

2012 NOMINATIONS AND WINNERS

(presented in 2013)

FELLOWSHIP

ALAN PARKER

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA

TESSA ROSS

BEST FILM

ARGO Grant Heslov, Ben Affleck, George Clooney

LES MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh

LIFE OF PI Gil Netter, Ang Lee, David Womark

LINCOLN Steven Spielberg, Kathleen Kennedy

ZERO DARK THIRTY Mark Boal, Kathryn Bigelow, Megan Ellison

 

 

OUTSTANDING BRITISH FILM

ANNA KARENINA Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard

THE BEST EXOTIC MARIGOLD HOTEL John Madden, Graham Broadbent, Pete Czernin, Ol Parker

LES MISÉRABLES Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer

SEVEN PSYCHOPATHS Martin McDonagh, Graham Broadbent, Pete Czernin

SKYFALL Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

 

 

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER 

BART LAYTON (Director), DIMITRI DOGANIS (Producer) The Imposter

DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) McCullin

DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) Wild Bill

JAMES BOBIN (Director) The Muppets

TINA GHARAVI (Director/Writer) I Am Nasrine

 

 

FILM NOT IN THE ENGLISH LANGUAGE 

AMOUR Michael Haneke, Margaret Ménégoz

HEADHUNTERS Morten Tyldum, Marianne Gray, Asle Vatn

THE HUNT Thomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann

RUST AND BONE Jacques Audiard, Pascal Caucheteux

UNTOUCHABLE Eric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun

 

 

DOCUMENTARY

THE IMPOSTER Bart Layton, Dimitri Doganis

MARLEY Kevin Macdonald, Steve Bing, Charles Steel

McCULLIN David Morris, Jacqui Morris

SEARCHING FOR SUGAR MAN Malik Bendjelloul, Simon Chinn

WEST OF MEMPHIS Amy Berg

 

 

 

 

ANIMATED FILM

BRAVE Mark Andrews, Brenda Chapman

FRANKENWEENIE Tim Burton

PARANORMAN Sam Fell, Chris Butler

 

 

DIRECTOR

AMOUR Michael Haneke

ARGO Ben Affleck

DJANGO UNCHAINED Quentin Tarantino

LIFE OF PI Ang Lee

ZERO DARK THIRTY Kathryn Bigelow

 

 

ORIGINAL SCREENPLAY

AMOUR Michael Haneke

DJANGO UNCHAINED Quentin Tarantino

THE MASTER Paul Thomas Anderson

MOONRISE KINGDOM Wes Anderson, Roman Coppola

ZERO DARK THIRTY Mark Boal

 

 

ADAPTED SCREENPLAY

ARGO Chris Terrio 

BEASTS OF THE SOUTHERN WILD Lucy Alibar, Benh Zeitlin

LIFE OF PI David Magee

LINCOLN Tony Kushner

SILVER LININGS PLAYBOOK David O. Russell

 

 

LEADING ACTOR

BEN AFFLECK Argo

BRADLEY COOPER Silver Linings Playbook

DANIEL DAY-LEWIS Lincoln

HUGH JACKMAN Les Misérables

JOAQUIN PHOENIX The Master

 

 

LEADING ACTRESS

EMMANUELLE RIVA Amour

HELEN MIRREN Hitchcock

JENNIFER LAWRENCE Silver Linings Playbook

JESSICA CHASTAIN Zero Dark Thirty

MARION COTILLARD Rust and Bone

 

 

SUPPORTING ACTOR

ALAN ARKIN Argo

CHRISTOPH WALTZ Django Unchained

JAVIER BARDEM Skyfall

PHILIP SEYMOUR HOFFMAN The Master

TOMMY LEE JONES Lincoln

 

 

 

SUPPORTING ACTRESS

AMY ADAMS The Master

ANNE HATHAWAY Les Misérables

HELEN HUNT The Sessions

JUDI DENCH Skyfall

SALLY FIELD Lincoln

 

 

ORIGINAL MUSIC 

ANNA KARENINA Dario Marianelli

ARGO Alexandre Desplat

LIFE OF PI Mychael Danna

LINCOLN John Williams

SKYFALL Thomas Newman

 

 

CINEMATOGRAPHY

ANNA KARENINA Seamus McGarvey

LES MISÉRABLES Danny Cohen

LIFE OF PI Claudio Miranda

LINCOLN Janusz Kaminski

SKYFALL Roger Deakins

 

 

EDITING

ARGO William Goldenberg

DJANGO UNCHAINED Fred Raskin

LIFE OF PI Tim Squyres

SKYFALL Stuart Baird

ZERO DARK THIRTY Dylan Tichenor, William Goldenberg

 

 

PRODUCTION DESIGN

ANNA KARENINA Sarah Greenwood, Katie Spencer

LES MISÉRABLES Eve Stewart, Anna Lynch-Robinson

LIFE OF PI David Gropman, Anna Pinnock

LINCOLN Rick Carter, Jim Erickson

SKYFALL Dennis Gassner, Anna Pinnock

 

 

COSTUME DESIGN

ANNA KARENINA Jacqueline Durran

GREAT EXPECTATIONS Beatrix Aruna Pasztor

LES MISÉRABLES Paco Delgado

LINCOLN Joanna Johnston

SNOW WHITE AND THE HUNTSMAN Colleen Atwood

 

 

MAKE UP & HAIR

ANNA KARENINA Ivana Primorac

HITCHCOCK Julie Hewett, Martin Samuel, Howard Berger

THE HOBBIT: AN UNEXPECTED JOURNEY Peter Swords King, Richard Taylor, Rick Findlater

LES MISÉRABLES Lisa Westcott

LINCOLN Lois Burwell, Kay Georgiou

 

 

 

SOUND

DJANGO UNCHAINED Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman

THE HOBBIT: AN UNEXPECTED JOURNEY Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward

LES MISÉRABLES Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst

LIFE OF PI Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill

SKYFALL Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers

 

 

SPECIAL VISUAL EFFECTS

THE DARK KNIGHT RISES Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley

THE HOBBIT: AN UNEXPECTED JOURNEY Joe Letteri, Eric Saindon, David Clayton, R. Christopher White

LIFE OF PI Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer, Donald R. Elliott

MARVEL AVENGERS ASSEMBLE Janek Sirrs, Jeff White, Guy Williams, Dan Sudick

PROMETHEUS Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth

 

 

SHORT ANIMATION

HERE TO FALL Kris Kelly, Evelyn McGrath

I’M FINE THANKS Eamonn O’Neill

THE MAKING OF LONGBIRD Will Anderson, Ainslie Henderson

 

 

SHORT FILM

THE CURSE Fyzal Boulifa, Gavin Humphries

GOOD NIGHT Muriel d’Ansembourg, Eva Sigurdardottir

SWIMMER Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw

TUMULT Johnny Barrington, Rhianna Andrews

THE VOORMAN PROBLEM Mark Gill, Baldwin Li

 

 

THE EE RISING STAR AWARD (voted for by the public) 

ELIZABETH OLSEN

ANDREA RISEBOROUGH

SURAJ SHARMA

JUNO TEMPLE

ALICIA VIKANDER

 

 

 

 

10 February 2013

 

 

 

 

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“On behalf of all nominees, we would like to express our unanimous and emphatic disapproval of the climate of fanaticism and nationalism we see today in the U.S. and in so many other countries, in parts of the population and, most unfortunately of all, among leading politicians.

“The fear generated by dividing us into genders, colors, religions and sexualities as a means to justify violence destroys the things that we depend on – not only as artists but as humans: the diversity of cultures, the chance to be enriched by something seemingly ‘foreign’ and the belief that human encounters can change us for the better. These divisive walls prevent people from experiencing something simple but fundamental: from discovering that we are all not so different.

“So we’ve asked ourselves: What can cinema do? Although we don`t want to overestimate the power of movies, we do believe that no other medium can offer such deep insight into other people’s circumstances and transform feelings of unfamiliarity into curiosity, empathy and compassion – even for those we have been told are our enemies.

“Regardless of who wins the Academy Award for Best Foreign Language Film on Sunday, we refuse to think in terms of borders. We believe there is no best country, best gender, best religion or best color. We want this award to stand as a symbol of the unity between nations and the freedom of the arts.

“Human rights are not something you have to apply for. They simply exist – for everybody. For this reason, we dedicate this award to all the people, artists, journalists and activists who are working to foster unity and understanding, and who uphold freedom of expression and human dignity – values whose protection is now more important than ever. By dedicating the Oscar to them, we wish to express to them our deep respect and solidarity.”

Martin Zandvliet – Land of Mine (Denmark)
Hannes Holm – A Man Called Ove (Sweden )
Asghar Farhadi – The Salesman (Iran)
Maren Ade – Toni Erdmann (Germany)
Martin Butler, Bentley Dean – Tanna (Australia)

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon