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David Poland

By David Poland poland@moviecitynews.com

Anyone Want A Free Copy Of The Master in Blu?

Enter to win, here.

8 Responses to “Anyone Want A Free Copy Of The Master in Blu?”

  1. John says:

    sure…

  2. Stephen says:

    Ya..

  3. Banksy says:

    Yes, please.

  4. Ray Pride says:

    Click through the link to enter.

  5. Lex says:

    Who the hell has a Blu-ray machine?

    You guys must be millionaires or something, I still use VHS and a 1999 DVD player with a 1998 SD TV.

  6. Denise Perry says:

    You can deliver it in April. :-)

  7. Rashad says:

    Lex, blu ray players are cheap now, or if you enjoy video games too, get a PS3. Plus if you love sports, and movies, HD is a must.

  8. berg says:

    everyone should have a big screen HD television with state of the art 3D – 1080 please … if you don’t, get one …. yeah I have an 8mm projector, a 16mm projector (mid-50s model that’s in mint condition for some reason); 2 VHS players (one of which is SVHS), a Sony camcorder and of course blu-ray, don’t get me started on the audio line-up (LPs natch) …. regarding the Master blu … it has as an extra, the John Huston (banned) documentary Let There Be Light about WWII soldiers with *syndrome … there’s also an 8 minute behind the scenes short that has among other clips a shot of the principal and supporting actors, all in an elevator, and someone farts and they slowly one by one lose it (in a good way)

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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