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David Poland

By David Poland poland@moviecitynews.com

Anyone Want A Free Copy Of The Master in Blu?

Enter to win, here.

8 Responses to “Anyone Want A Free Copy Of The Master in Blu?”

  1. John says:

    sure…

  2. Stephen says:

    Ya..

  3. Banksy says:

    Yes, please.

  4. Ray Pride says:

    Click through the link to enter.

  5. Lex says:

    Who the hell has a Blu-ray machine?

    You guys must be millionaires or something, I still use VHS and a 1999 DVD player with a 1998 SD TV.

  6. Denise Perry says:

    You can deliver it in April. :-)

  7. Rashad says:

    Lex, blu ray players are cheap now, or if you enjoy video games too, get a PS3. Plus if you love sports, and movies, HD is a must.

  8. berg says:

    everyone should have a big screen HD television with state of the art 3D – 1080 please … if you don’t, get one …. yeah I have an 8mm projector, a 16mm projector (mid-50s model that’s in mint condition for some reason); 2 VHS players (one of which is SVHS), a Sony camcorder and of course blu-ray, don’t get me started on the audio line-up (LPs natch) …. regarding the Master blu … it has as an extra, the John Huston (banned) documentary Let There Be Light about WWII soldiers with *syndrome … there’s also an 8 minute behind the scenes short that has among other clips a shot of the principal and supporting actors, all in an elevator, and someone farts and they slowly one by one lose it (in a good way)

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima