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By Ray Pride Pride@moviecitynews.com

Announcing the 10th Annual BendFilm Film Festival in Bend, Oregon

FOR IMMEDIATE RELEASE

BendFilm Ramps Up for 10th Annual Festival In October
Announces Call for Entries for 2013

Bend, Oregon – February 11, 2013 –  Ten years is a long time in the life of a film festival. Like restaurants, many Festivals start with the best intentions only to fall by the wayside a few years later.

However, as it prepares for its 10th Annual Festival, BendFilm has proven to have growing and staying power bulwarked by great programming for the Festival and year-round, strong juries, terrific local support and sponsorship, and its prizes and awards. In ten years, BendFilm has grown to become a beloved regional happening that established the central Oregon town in the national festival firmament featuring more than eighty films over four days.  It was named one of Moviemaker Magazine’s “20 Film Festivals Worth the Entry Fee.”

The festival has just announced its call for entries for 2013.

“We’re confident in continuing our tradition of excellence for 2013,” says Festival Director Orit Schwartz. “We’ve been able to build a strong following among both our contributors, sponsors and most of all, our audience and are planning the best BendFilm ever for our 10th year.”

BendFilm is also unusual in the scope and generosity of its prizing.  This year they’ll again offer the Brooks Resources Corporation $5,000 cash prize (one of very few festivals that still does so) for Best of Show. Past winners include True Adolescents and This Way of Life. 2013 also marks the second consecutive year of the Best Narrative Feature juried award.  That award carries a $60,000 camera rental package from Panavision.

Romy Mortensen, VP Sales and Marketing for Brooks, BendFilm’s founding sponsor, said, “Brooks Resources is very proud to be celebrating BendFilm’s 10th annual festival with them.  [It’s] hard to believe that 10 years ago we all took a leap of faith in a creative, new arts and culture idea that has grown to be one of Bend’s best attractions, if not amenities.”

As the year progresses, BendFilm will announce its jury, additional sponsors and , in the fall, its 10th annual film slate.  Past jurors have included: Two-time Oscar® nominee, writer/director Gus Van Sant; two-time Oscar® nominee, animator Bill Plympton; filmmaker Ondi Timoner  (DIG! and WE LIVE IN PUBLIC); Christian Gaines, Festival Specialist at IMDb.com; Dana Harris, editor in chief and general manager of IndieWIRE.com; Jon Korn, Sundance shorts programmer; and Steve Wilson, VP of leading film public relations agency B|W|R.

About BendFilm:

BendFilm is a non-profit group inspired by the opportunity to open doors for artists and to cast Bend, Oregon as the cultural and economic beneficiary. The BendFilm Festival runs every October in downtown Bend, Oregon at the historic Tower Theatre; McMenamins; Regal Cinemas; The Oxford Hotel; the Cascades Theatrical Company and Tin Pan Theater. Plan now to attend October 10-13, 2013 for a long weekend of films, lectures and parties as filmmakers compete for cash awards in Bend’s charismatic setting of mountains, rivers and screaming blue skies. Follow us on Facebook.

BendFilm Info:

Address: 2748 NW Crossing Drive, Bend, OR 97701.

For questions or more information:  call 541.388.FEST, email info@bendfilm.org or visit www.bendfilm.org.

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INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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