“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By Ray Pride Pride@moviecitynews.com
AMERICAN CINEMA EDITORS (ACE) HONORS VETERAN EDITORS RICHARD MARKS, A.C.E. and LARRY SILK, A.C.E. WITH LIFETIME CAREER ACHIEVEMENT AWARDS
FOR IMMEDIATE RELEASE
Universal City, February 8, 2013 – American Cinema Editors (ACE) will honor veteran editors Richard Marks, A.C.E. and Larry Silk, A.C.E. with the organization’s prestigious Lifetime Career Achievement Award at the 63rd Annual ACE Eddie Awards on February 16, 2013 in the International Ballroom of the Beverly Hilton Hotel. The Lifetime Career Achievement Award honors veteran editors whose body of work and reputation within the industry is outstanding. Award-winning filmmaker Alexander Payne and Film Critic Kenneth Turan will present to Marks and two-time Oscar®-winning Documentarian Barbara Kopple will present to Silk. As previously announced, Steven Spielberg will receive the ACE Golden Eddie Filmmaker of the Year honor and ACE Eddie Award winners in nine categories of film, television and documentaries will be announced. The evening’s MC will be Actor/Comedian David Cross. Nominees were previously announced and can be viewed online at the ACE website: americancinemaeditor
RICHARD MARKS, A.C.E.
Richard Marks, A.C.E. has worked with a who’s who list of directors including Francis Ford Coppola, Elia Kazan, Sidney Lumet, Nora Ephron, Mike Nichols, Joel Schumacher, Oliver Stone, and has edited every single film edited by the legendary James L. Brooks. Mark’s long-time collaboration with Brooks earned him three of his four Oscar® nominations for “Terms of Endearment,” “Broadcast News” and “As Good as it Gets.” His first Oscar® nomination was for editing Francis Ford Coppola’s “Apocalypse Now,” a shared editing credit with Walter Murch, A.C.E., Gerald B. Greenburg and Lisa Fruchtman.
In addition to four Oscar® nominations, Marks has also received four ACE Eddie Award nominations for “Apocalypse Now,” “Broadcast News,” “As Good as it Gets” and, most recently, in 2010 for “Julie and Julia.” The British Academy of Film & Television Arts (BAFTA) has honored Marks with four nominations for “The Godfather: Part II,” “Apocalypse Now” and “Dick Tracy.” Marks was also nominated for a Primetime Emmy for editing the 74th Annual Academy Awards presentation.
His body of work is diverse and displays enduring relevancy: “Serpico,” “The Last Tycoon,” “St. Elmo’s Fire,” “Pretty in Pink,” “Jumpin’ Jack Flash,” “Say Anything,” “Father of the Bride,” “A League of Their Own,” “Things To Do In Denver When You’re Dead,” “The Crow: City of Angels,” “You’ve Got Mail,” and “The Holiday,” are some of the titles in his impressive filmography.
LARRY SILK, A.C.E.
Larry Silk, A.C.E., edited some of the most prolific and memorable documentaries in cinematic history including “One Survivor Remembers,” “Marjoe,” and “American Dream,” all of which won Oscars®. Among his other credits are the 1977 hit that made Arnold Schwarzenegger a household name, “Pumping Iron,” and “Woody Allen: Wild Man Blues” which was named Best Documentary of the year by the National Board of Review and the Broadcast Film Critics Association in 1997. Other credits include “Johnny Cash! The Man, His Music, His World,” “Stripper,” which was nominated for the Grand Jury Prize in at the 1986 Sundance Film Festival, “The Burning Wall” which examined life and dissent in East Germany from 1949-1989, and “Toots” which was named Best Documentary by the National Board of Review in 2007.
Silk spent the beginning of his career working for all the major networks, along with PBS and HBO, working on documentaries from the 1960’s to the 1980’s. Some of those projects include “Winston Churchill: The Valiant Years,” “The Twentieth Century,” “F.D.R.,” “Childhood,” “National Geographic Explorer,” “Defending Our Daughters: The Rights of Women in the World,” “Moyers on Addiction: Close to Home” and “Fallen Champ: The Untold Story of Mike Tyson,” among others. He also edited several episodes of the Golden Globe® award-winning series “The Equalizer.” Now retired, Silk teaches graduate film students at NYU.
AMERICAN CINEMA EDITORS
AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.
ACE produces several annual events including EditFest (a bicoastal editing festival), Invisible Art/Visible Artists (annual panel of Oscar® nominated editors), and the ACE Eddie Awards, now in its 63rd year, recognizing outstanding editing in nine categories of film, television and documentaries.
The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.
For more information visit WWW.