By Ray Pride Pride@moviecitynews.com

2012 Independent Spirit Awards

BEST FEATURE Silver Linings Playbook

BEST DIRECTOR David O. Russell, Silver Linings Playbook

BEST SCREENPLAY Silver Linings Playbook

BEST FIRST FEATURE The Perks of Being a Wallflower

BEST FIRST SCREENPLAY Safety Not Guaranteed

JOHN CASSAVETES AWARD (Best feature made for under $500,000) Middle of Nowhere

BEST FEMALE LEAD Jennifer Lawrence, Silver Linings Playbook

BEST MALE LEAD John Hawkes, The Sessions

BEST SUPPORTING FEMALE Helen Hunt, The Sessions

BEST SUPPORTING MALE Matthew McConaughey, Magic Mike

BEST CINEMATOGRAPHY Beasts of the Southern Wild

BEST DOCUMENTARY The Invisible War

BEST INTERNATIONAL FILM Amour

16th ANNUAL PIAGET PRODUCERS AWARD ($25,000) Mynette Louie

19th ANNUAL SOMEONE TO WATCH AWARD ($25,000) Adam Leon, Gimme the Loot

STELLA ARTOIS TRUER THAN FICTION AWARD ($25,000) Peter Nicks, The Waiting Room

ROBERT ALTMAN AWARD (Director, casting director, ensemble cast) Starlet
Director Sean Baker
Casting Director Julia Kim
Cast Dree Hemingway, Besedka Johnson, Karren Karagulian, Stella Maeve, James Ransone

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Do you know about Pokémon Go?
No. I don’t know what Pokémon Go is and what all these things are. You’re talking to somebody who made his first phone call at age 17. You’re talking to someone who doesn’t have a cell phone, for example, for cultural reasons. Tell me about Pokémon Go. What is happening on Pokémon Go?

It’s basically the first mainstream augmented reality program. It’s a game where the entire world is mapped and you walk around with the GPS on your phone. You walk around in the real world and can catch these little monsters and collect them. And everybody is playing it.
Does it tell you you’re here at San Vicente, close to Sunset Boulevard?

Yeah, it’s basically like a Google map.
But what does Pokémon do at this corner here?

“To make work out of your own imagination is an invitation to a lot of unforgiving hard slog, failure, satisfaction which doesn’t last long, more failure, discontent, maybe a prize, a bit more satisfaction, self doubt, dissatisfaction, lots more hard work and so on and so on. But anyone who’s persisted and written something and got to the end and even better had it published or performed learns quickly that the hard slog, the frustrations, the blind alleys and dead ends and scenes that don’t work and great ideas that turn to dust are in fact a big part of the work. The reward for the agony is not the ecstasy of Chuck Heston finishing the Sistine Chapel but still more agony that might also include some kind of not pleasure exactly, maybe a brief, terrible joy.”
~ Australian playwright Michael Gow

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