By Ray Pride Pride@moviecitynews.com

2012 Independent Spirit Awards

BEST FEATURE Silver Linings Playbook

BEST DIRECTOR David O. Russell, Silver Linings Playbook

BEST SCREENPLAY Silver Linings Playbook

BEST FIRST FEATURE The Perks of Being a Wallflower

BEST FIRST SCREENPLAY Safety Not Guaranteed

JOHN CASSAVETES AWARD (Best feature made for under $500,000) Middle of Nowhere

BEST FEMALE LEAD Jennifer Lawrence, Silver Linings Playbook

BEST MALE LEAD John Hawkes, The Sessions

BEST SUPPORTING FEMALE Helen Hunt, The Sessions

BEST SUPPORTING MALE Matthew McConaughey, Magic Mike

BEST CINEMATOGRAPHY Beasts of the Southern Wild

BEST DOCUMENTARY The Invisible War

BEST INTERNATIONAL FILM Amour

16th ANNUAL PIAGET PRODUCERS AWARD ($25,000) Mynette Louie

19th ANNUAL SOMEONE TO WATCH AWARD ($25,000) Adam Leon, Gimme the Loot

STELLA ARTOIS TRUER THAN FICTION AWARD ($25,000) Peter Nicks, The Waiting Room

ROBERT ALTMAN AWARD (Director, casting director, ensemble cast) Starlet
Director Sean Baker
Casting Director Julia Kim
Cast Dree Hemingway, Besedka Johnson, Karren Karagulian, Stella Maeve, James Ransone

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“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour