MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Yo La Tengo’s “I’ll Be Around” (4’49”), as seen in Bon Appetit

Video by Phil Morrison.
From Bon Appetit:
Why did you decide to put the recipe, and the rest of the text, over the video?
Ira Kaplan: It was the director’s idea, and we liked it. I think the first thought was that we liked the idea of information–there’s lyrics, there’s lyrics that aren’t part of the song, and there’s the recipe onscreen. I think it’s at a point where the text provides information, but it also obfuscates as well. I don’t think anyone knew until they saw it if it was going to work, but conceptually, it had the capacity of touching on a couple of bases that would otherwise be hard to show visually.
Why the eating scene?
IK: I’m not dying to talk about the meaning of the song, but we felt that it was appropriate to the spirit of the song, and I don’t think in particularly obscure ways… [Bass player] James McNew has made the tortilla before, but we hadn’t made the tortilla soup. So the tortilla was the first part of the menu, then we needed a complete meal.
And were you actually cooking it on-screen?
IK: Oh yeah. We’re not actors.

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch