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Ray Pride

By Ray Pride Pride@moviecitynews.com

Wenders’ STATE OF THINGS RV Scene (9’58″)

Somehow it comes back to this. Appropriate at the end of one year and the start of another. The State Of Things, the strange missive Wenders eked in the delay, delay, delays of Hammett, indulging in all sorts of anachronism and present-tension. Black-and-white, you motherfucker, indeed. How much did Garfield improvise in his Coppola stylings in that rackety Winnebago Silverfish? Like some of the rat-a-tat-tat of John Garfield exsanguinating Abraham Polonsky’s corpuscular vernacular in Force Of Evil. Garfield’s may be more impressive a feat of off-the-cuff character legerdemain than Brando telling us he swallowed a bug in Hearts of Darkness. “You can’t build a movie without a story. Have you ever tried building a house without walls? It’s the same. You can’t build a house without walls. A movie’s got to have walls, Friedrich. It’s gotta have walls. Y’know?”

“Why walls?” mutters Friedrich. “The space between the characters can carry the load.”

“You’re talking about reality, Friedrich. Fuck reality, Friedrich, when are you going to wake up? Cinema… is not about life going by, people don’t wanna see that.”

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“As a celebrity/star I am not an individual—I am a spectacular representation of a living human being, the opposite of an individual. The enemy of the individual, in myself as well as in others. The celebrity/star is the object of identification, with the shallow seeming life that has to compensate for the fragmented productive specializations which are actually lived. The requirements to being a star/celebrity are namely, you must become an enslaved body. Just flesh—a commodity, and renounce all autonomous qualities in order to identify with the general law of obedience to the course of things. The star is a byproduct of the machine age, a relic of modernist ideals. It’s outmoded.”
~ Shia LaBeouf

“I have been to the other side of the mountain. I gotta say, it’s been dark. It’s been weird. It’s been horrible. About a month and a half ago, I said goodbye to my kids, and I’ve been living in Burbank next to the studio. I feel every day like, I didn’t do enough, I didn’t do enough, I didn’t do enough. I wasn’t ready. Here’s failure. Here’s failure. Here’s compromise. Here’s compromise. I’m now coming out the other side, realizing that once again, for all its many varied and soon to be heralded flaws, it’s my movie. It’s the movie I set out to make. And I have the honor of saying, it’s fucking bonkers. So there’s that.”
~ Joss Whedon On Making Avengers: Age Of Ultron

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