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Ray Pride

By Ray Pride Pride@moviecitynews.com

Trailering Shane Carruth’s UPSTREAM COLOR (2’10”)

Plus, details of Carruth’s post-Sundance self-distribution plan. “As a filmmaker you try to make a compelling case for an audience to stick around minute by minute with what is on the screen,” said Carruth. “By also crafting the marketing we’re still doing that, still storytelling, but we’re trying to make a case for an audience to show up. Hopefully for viewers, framing the film this way and staying true to the film’s intent makes it a bit more of an intimate relationship.”

One Response to “Trailering Shane Carruth’s UPSTREAM COLOR (2’10”)”

  1. Mike says:

    I’ve watched Primer a good seven or eight times, waiting for another movie by Shane. I can’t wait to see this one.

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“Rjukan is a town in Norway and it sits at the bottom of a deep valley. For six months a year no sunlight falls on it because of its location. About 120 years ago one of the town’s founders had this pipe dream of putting up mirrors on the mountainside in order to beam down light to Rjukan. The technology wasn’t there, but about two years ago an artist installed these very large solar-panelled mirrors into the side of the valley that follow the sun as it moves across the sky. Now a rectangle of light about the size of a tennis court shines on to the town. I want to stand in that rectangle of light.”
~ “Cloud Atlas” Novelist David Mitchell

“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

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