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Ray Pride

By Ray Pride

Trailering Shane Carruth’s UPSTREAM COLOR (2’10”)

Plus, details of Carruth’s post-Sundance self-distribution plan. “As a filmmaker you try to make a compelling case for an audience to stick around minute by minute with what is on the screen,” said Carruth. “By also crafting the marketing we’re still doing that, still storytelling, but we’re trying to make a case for an audience to show up. Hopefully for viewers, framing the film this way and staying true to the film’s intent makes it a bit more of an intimate relationship.”

One Response to “Trailering Shane Carruth’s UPSTREAM COLOR (2’10”)”

  1. Mike says:

    I’ve watched Primer a good seven or eight times, waiting for another movie by Shane. I can’t wait to see this one.

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Writer’s block?
“I don’t have it. Isn’t that great? It’s almost like a bit being a little insane; I’ve got so many stories in my head and so many people talking that I literally have to shut down, like shut out characters to start writing other shows. They all want to talk when I start. See, you’re going to make me sound crazy! But I sit down at the computer and I start writing a show, and especially a show like, “The Have and Have Nots” has been on for over a hundred episodes, “If Loving You is Wrong” is probably about 80 now, and so I know those people; “Too Close to Home” just started, it’s got 16. But I know them. So when I sit down to write I can tune into them and hear them, is what I mean.”
~ Tyler Perry On Process

“The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.”
Robert Bresson

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