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Ray Pride

By Ray Pride Pride@moviecitynews.com

Trailering Sally Potter’s GINGER & ROSA (2’11”)

Built from short scenes sculpted like memories and lit with the depth of several eras of fine art painting, Ginger & Rosa is a miniaturist gem. But its beating heart is a startling, thoroughly great performance by Elle Fanning, in a role older than her years. Her astonishing ability to be present in each moment shines through even in this trailer. Opens March 15 from A24. A24’s synopsis: “London,1962. Two teenage girls – GINGER & ROSA – are inseparable. They skip school together, talk about love, religion and politics and dream of lives bigger than their mothers’ domesticity. But the growing threat of nuclear war casts a shadow over their lives. Ginger (Elle Fanning) is drawn to poetry and protest, while Rosa (Alice Englert) shows Ginger how to smoke cigarettes, kiss boys and pray. Both rebel against their mothers: Rosa’s single mum, Anoushka (Jodhi May), and Ginger’s frustrated painter mother, Natalie (Christina Hendricks). Meanwhile, Ginger’s pacifist father, Roland (Alessandro Nivola) seems a romantic, bohemian figure to the girls. He encourages Ginger’s ‘Ban-the-Bomb’ activism, while Rosa starts to take a very different interest in him. As Ginger’s parents fight and fall apart, Ginger finds emotional sanctuary with a gay couple, both named Mark (Timothy Spall and Oliver Platt), and their American friend, the poet Bella (Annette Bening). Finally, as the Cuban Missile Crisis escalates – and it seems the world itself may come to an end – the lifelong friendship of the two girls is shattered. Ginger clutches at one hope; if she can help save the world from extinction, perhaps she too will survive this moment of personal devastation.”

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“It was always a crisis, but we had a great time,” James Schamus said, grinning. “Now I know how much fun directing is. I didn’t know. No one told me.”

“Athina Rachel Tsangari looks at men as if they are creatures from one of the wildlife documentaries she referred to in her poignant debut Attenberg. She is part of a undeclared new school of cinema, which might be called ‘The Behaviouralists’. So far there is only one other member of this school, Yorgos Lanthimos, whom she has previously collaborated with. He recently made The Lobster which sees Colin Farrell play a man who chooses a lobster as the animal he must turn into if he loses a bizarre relationship game in a hotel-cum-sanitorium. Games, systems and rules are essential for the Behaviouralists yet always in flux.”
~ Bert Rebhandl in Frieze

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