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By Ray Pride Pride@moviecitynews.com

Tarantino on Ophuls in DJANGO UNCHAINED

[American Cinematographer, January 2013.]

One Response to “Tarantino on Ophuls in DJANGO UNCHAINED”

  1. Not David Bordwell says:

    Between this, the soundtrack, and the McTeague image, you seem to have seen more and appreciated better what’s actually in DJANGO UNCHAINED than 90% of what I have read online. I already bitched about this on Twitter, but the Tal Rosenberg review in the Reader is an embarrassing hatchet job.

    Anyway, thanks for these posts and for steering me to Steven Boone and Odie Henderson, two bruvas I’m going to look forward to reading from now on.

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall