By Ray Pride Pride@moviecitynews.com

SUNDANCE SELECTS TAKES NA RIGHTS TO RICHARD ROWLEY’S U.S. DOC COMPETITION TITLE DIRTY WARS AT SUNDANCE

PARK CITY, UT (January 20, 2013) – Sundance Selects announced today from the 2013 Sundance Film Festival that the company is acquiring North American rights to Richard Rowley’s DIRTY WARS, which premiered in the U.S. documentary competition section. The film, with a screenplay by Jeremy Scahill and David Riker, was produced by Anthony Arnove, Brenda Coughlin, and Scahill.

Rowley’s film follows investigative reporter Jeremy Scahill on an unexpected journey as he chases down the truth behind America’s covert wars.

Jonathan Sehring, President of Sundance Selects-IFC Films, said: “Our entire team was blown away by DIRTY WARS, Richard Rowley’s tough-minded, gripping film that plays out like a detective story.  Jeremy Scahill’s investigation into the war on terror being waged around the world is a vital, disturbing and incredibly humane story that will have people on both sides of the political spectrum talking.  We look forward to working with Richard, Jeremy, David Riker, Brenda Coughlin, Anthony Arnove and the entire team behind the film in bringing this film to the largest public audience, as well as sparking a discussion on the topic.”

“We’re thrilled to be joining the Sundance Selects family,” said director Richard Rowley. Added Scahill: “We made this film to uncover the hidden truth about wars being fought in our name that we as Americans know next to nothing about, and we can’t think of a better partner to do this with than Sundance Selects.”

The deal for the film was negotiated by Arianna Bocco, Senior Vice President of Acquisitions & Productions for Sundance Selects/IFC Films; Jeff Deutchman, Director of Acquisitions & Productions, for Sundance Selects/IFC Films; and Betsy Rodgers, Senior Vice President of Legal and Business Affairs for Sundance Selects/IFC Films, with Josh Braun at Submarine on behalf of the filmmakers.

This is the second documentary acquired out of Sundance this week by Sundance Selects.  The company also acquired North American rights to Nick Ryan’s THE SUMMIT.

Since the company’s inception in 2009, Sundance Selects has quickly established itself as one of the dominant labels for documentary films.  Among the films the company has released are this year’s Academy Award-nominated HOW TO SURVIVE A PLAGUE directed by David France (an acquisition title out of Sundance 2012) and Alison Klayman’s AI WEIWEI: NEVER SORRY (another acquisition title out of Sundance in 2012); Cindy Meehl’s BUCK; Wim Wenders’ Academy Award nominated PINA; Werner Herzog’s CAVE OF FORGOTTEN DREAMS; Bess Kargman’s FIRST POSITION; and Ricki Stern and Anne Sundberg’s JOAN RIVERS: A PIECE OF WORK.

Sundance Selects is a sister label to IFC Films and IFC Midnight, and is owned and operated by AMC Networks Inc.

DIRTY WARS was made possible by generous support from Bertha / BRITDOC, The Bertha Foundation, Kindle Project Fund of the Common Counsel Foundation, Sundance Institute Documentary Fund, Vital Projects Fund, and Wallace Global Fund.

*                      *                      *                      *

 

About SUNDANCE SELECTS

Established in 2009 and based in New York City, Sundance Selects is a leading U.S. distributor of prestige films focusing on American independents, documentaries and world cinema. Upcoming films include Cristian Mungiu’s double Cannes Prize winner BEYOND THE HILLS, which is Romania’s official entry for Best Foreign Language Film at the 2013 Academy Awards, Abbas Kiarostami’s LIKE SOMEONE IN LOVE, and Adam Leon’s SXSW winner GIMME THE LOOT.  Previous releases include Ken Burns, Sarah Burns & David McMahon’s CENTRAL PARK FIVE, David France’s HOW TO SURVIVE A PLAGUE, Alison Klayman’s AI WEIWEI:  NEVER SORRY, Wim Wenders’ Oscar nominated PINA, Werner Herzog’s CAVE OF FORGOTTEN DREAMS, Cindy Meehl’s BUCK, Abbas Kiarostami’s CERTIFIED COPY and the Dardennes Brothers THE KID WITH ABIKE. Sundance Selects is a sister label to IFC Films and IFC Midnight, and is owned and operated by AMC Networks Inc.

Leave a Reply

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies

The Hobbit: Battle of the Five Armies