Night Moves

By Ray Pride Pride@moviecitynews.com

SONY PICTURES CLASSICS ACQUIRES WOODY ALLEN’S BLUE JASMINE

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FOR IMMEDIATE RELEASE                            

Film marks sixth collaboration with the filmmaker and Sony Classics

NEW YORK (January 8, 2013) – Sony Pictures Classics announced today that they have acquired all North American rights to Woody Allen’s next film, BLUE JASMINE from Gravier Productions.

Produced by Letty Aronson, Stephen Tenenbaum and Edward Walson, BLUE JASMINE has another all-star cast which includes Alec Baldwin, Cate Blanchett, Bobby Cannavale, Louis C.K., Andrew Dice Clay, Sally Hawkins, Peter Sarsgaard and Michael Stuhlbarg. It is the story of the final stages of an acute crisis and a life of a fashionable New York housewife.

ABOUT SONY PICTURES CLASSICS

Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards (25 of those at Sony Pictures Classics) and have garnered 127 Academy Award nominations (101 at Sony Pictures Classics) including Best Picture nominations for MIDNIGHT IN PARIS, AN EDUCATIONCAPOTE, HOWARDS END, and CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.

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~ Robert Duvall

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~ Xavier Dolan On Jean-Luc Godard