By Ray Pride Pride@moviecitynews.com

SONY PICTURES CLASSICS ACQUIRES SUNDANCE HIT KILL YOUR DARLINGS

FOR IMMEDIATE RELEASE                                        

NEW YORK (January 22, 2013) - Sony Pictures Classics announced today that they have acquired all US, Australian, New Zealand, South African, African TV, and Eastern European (minus CIS which has already been sold) rights to John Krokidas’ directorial feature debut, KILL YOUR DARLINGS. Co-written by Krokidas and Austin Bunn, KILL YOUR DARLINGS stars Daniel Radcliffe, Dane DeHaan, Michael C. Hall, Ben Foster, Jack Huston, Elizabeth Olsen, David Cross, and Jennifer Jason Leigh. The film is a US Dramatic competition feature at the 2013 Sundance Film Festival and premiered to a standing ovation on Friday.

KILL YOUR DARLINGS is produced by Krokidas, Benaroya Pictures’ Michael Benaroya, Christine Vachon of Killer Films and Rose Ganguzza and is executive produced by Benaroya Pictures’ Head of Production Joe Jenckes, Stefan Sonnenfeld, Jared Ian Goldman, Killer Films’ Pamela Koffler, and Randy Manis.

The film is the previously untold story of a murder that brought together a young Allen Ginsberg (Radcliffe), Jack Kerouac (Huston) and William Burroughs (Foster) at Columbia University in 1944, providing the spark that would lead to their Beat Revolution.

“To be considered amongst the ranks of Pedro Almodóvar and Woody Allen is beyond my wildest dreams,” said Krokidas. “Sony Pictures Classics is truly the perfect place for this film. This is a dream come true.”

Sony Pictures Classics adds, “This is an amazing movie, a great American drama, thriller, and perfect evocation of New York in the 1940′s as you have never seen on screen before. With an ensemble cast that is truly mind-blowing led by Daniel Radcliffe in a profoundly moving performance as Allen Ginsberg, we are witnessing the birth of a major new American filmmaker. Producers Michael Benaroya and Christine Vachon have truly outdone themselves here. It is a privilege to bring a film that works on so many levels to American audiences.”

KILL YOUR DARLINGS was negotiated by SPC and UTA’s Rena Ronson along with Cassian Elwes.

ABOUT SONY PICTURES CLASSICS

Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards (25 of those at Sony Pictures Classics) and have garnered 135 Academy Award nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.

 

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”