By Ray Pride Pride@moviecitynews.com

SONY PICTURES CLASSICS ACQUIRES SUNDANCE HIT KILL YOUR DARLINGS

FOR IMMEDIATE RELEASE                                        

NEW YORK (January 22, 2013) – Sony Pictures Classics announced today that they have acquired all US, Australian, New Zealand, South African, African TV, and Eastern European (minus CIS which has already been sold) rights to John Krokidas’ directorial feature debut, KILL YOUR DARLINGS. Co-written by Krokidas and Austin Bunn, KILL YOUR DARLINGS stars Daniel Radcliffe, Dane DeHaan, Michael C. Hall, Ben Foster, Jack Huston, Elizabeth Olsen, David Cross, and Jennifer Jason Leigh. The film is a US Dramatic competition feature at the 2013 Sundance Film Festival and premiered to a standing ovation on Friday.

KILL YOUR DARLINGS is produced by Krokidas, Benaroya Pictures’ Michael Benaroya, Christine Vachon of Killer Films and Rose Ganguzza and is executive produced by Benaroya Pictures’ Head of Production Joe Jenckes, Stefan Sonnenfeld, Jared Ian Goldman, Killer Films’ Pamela Koffler, and Randy Manis.

The film is the previously untold story of a murder that brought together a young Allen Ginsberg (Radcliffe), Jack Kerouac (Huston) and William Burroughs (Foster) at Columbia University in 1944, providing the spark that would lead to their Beat Revolution.

“To be considered amongst the ranks of Pedro Almodóvar and Woody Allen is beyond my wildest dreams,” said Krokidas. “Sony Pictures Classics is truly the perfect place for this film. This is a dream come true.”

Sony Pictures Classics adds, “This is an amazing movie, a great American drama, thriller, and perfect evocation of New York in the 1940’s as you have never seen on screen before. With an ensemble cast that is truly mind-blowing led by Daniel Radcliffe in a profoundly moving performance as Allen Ginsberg, we are witnessing the birth of a major new American filmmaker. Producers Michael Benaroya and Christine Vachon have truly outdone themselves here. It is a privilege to bring a film that works on so many levels to American audiences.”

KILL YOUR DARLINGS was negotiated by SPC and UTA’s Rena Ronson along with Cassian Elwes.

ABOUT SONY PICTURES CLASSICS

Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards (25 of those at Sony Pictures Classics) and have garnered 135 Academy Award nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.

 

Leave a Reply

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas