2012 Guild Awards: SAG-AFTRA

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

 

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
DANIEL DAY-LEWIS / Abraham Lincoln – “LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Leading Role
JENNIFER LAWRENCE / Tiffany – “SILVER LININGS PLAYBOOK” (The Weinstein Company)

Outstanding Performance by a Male Actor in a Supporting Role
TOMMY LEE JONES / Thaddeus Stevens – “LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Supporting Role
ANNE HATHAWAY / Fantine – “LES MISÉRABLES” (Universal Pictures)

Outstanding Performance by a Cast in a Motion Picture
ARGO (Warner Bros. Pictures)
BEN AFFLECK / Tony Mendez
ALAN ARKIN / Lester Siegel
KERRY BISHÉ / Kathy Stafford
KYLE CHANDLER / Hamilton Jordan
RORY COCHRANE / Lee Schatz
BRYAN CRANSTON / Jack O’Donnell
CHRISTOPHER DENHAM / Mark Lijek
TATE DONOVAN / Bob Anders
CLEA DuVALL / Cora Lijek
VICTOR GARBER / Ken Taylor
JOHN GOODMAN / John Chambers
SCOOT McNAIRY / Joe Stafford
CHRIS MESSINA / Malinov

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
KEVIN COSTNER / “Devil Anse” Hatfield – “HATFIELDS & McCOYS” (History)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
JULIANNE MOORE / Sarah Palin – “GAME CHANGE” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
BRYAN CRANSTON / Walter White – “BREAKING BAD” (AMC)

Outstanding Performance by a Female Actor in a Drama Series
CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy – “30 ROCK” (NBC)

Outstanding Performance by a Female Actor in a Comedy Series
TINA FEY / Liz Lemon – “30 ROCK” (NBC)

Outstanding Performance by an Ensemble in a Drama Series
DOWNTON ABBEY (PBS)
HUGH BONNEVILLE / Robert, Earl of Grantham
ZOE BOYLE / Lavinia Swire
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / John Bates
MICHELLE DOCKERY / Lady Mary Crawley
JESSICA BROWN FINDLAY / Lady Sybil Crawley
SIOBHAN FINNERAN / O’Brien
JOANNE FROGGATT / Anna
IAIN GLEN / Sir Richard Carlisle
THOMAS HOWES / William
ROB JAMES-COLLIER / Thomas
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
LESLEY NICOL / Mrs. Patmore
AMY NUTTALL / Ethel
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
DAN STEVENS / Matthew Crawley
PENELOPE WILTON / Isobel Crawley

Outstanding Performance by an Ensemble in a Comedy Series
MODERN FAMILY (ABC)
AUBREY ANDERSON-EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

 

SAG AWARDS HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
SKYFALL (Columbia Pictures)

Outstanding Action Performance by a Stunt Ensemble in a Television Series
GAME OF THRONES (HBO)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 49th Annual Life Achievement Award

DICK VAN DYKE

 

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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…