2012 Guild Awards: SAG-AFTRA

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

 

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
DANIEL DAY-LEWIS / Abraham Lincoln – “LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Leading Role
JENNIFER LAWRENCE / Tiffany – “SILVER LININGS PLAYBOOK” (The Weinstein Company)

Outstanding Performance by a Male Actor in a Supporting Role
TOMMY LEE JONES / Thaddeus Stevens – “LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Supporting Role
ANNE HATHAWAY / Fantine – “LES MISÉRABLES” (Universal Pictures)

Outstanding Performance by a Cast in a Motion Picture
ARGO (Warner Bros. Pictures)
BEN AFFLECK / Tony Mendez
ALAN ARKIN / Lester Siegel
KERRY BISHÉ / Kathy Stafford
KYLE CHANDLER / Hamilton Jordan
RORY COCHRANE / Lee Schatz
BRYAN CRANSTON / Jack O’Donnell
CHRISTOPHER DENHAM / Mark Lijek
TATE DONOVAN / Bob Anders
CLEA DuVALL / Cora Lijek
VICTOR GARBER / Ken Taylor
JOHN GOODMAN / John Chambers
SCOOT McNAIRY / Joe Stafford
CHRIS MESSINA / Malinov

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
KEVIN COSTNER / “Devil Anse” Hatfield – “HATFIELDS & McCOYS” (History)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
JULIANNE MOORE / Sarah Palin – “GAME CHANGE” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
BRYAN CRANSTON / Walter White – “BREAKING BAD” (AMC)

Outstanding Performance by a Female Actor in a Drama Series
CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy – “30 ROCK” (NBC)

Outstanding Performance by a Female Actor in a Comedy Series
TINA FEY / Liz Lemon – “30 ROCK” (NBC)

Outstanding Performance by an Ensemble in a Drama Series
DOWNTON ABBEY (PBS)
HUGH BONNEVILLE / Robert, Earl of Grantham
ZOE BOYLE / Lavinia Swire
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / John Bates
MICHELLE DOCKERY / Lady Mary Crawley
JESSICA BROWN FINDLAY / Lady Sybil Crawley
SIOBHAN FINNERAN / O’Brien
JOANNE FROGGATT / Anna
IAIN GLEN / Sir Richard Carlisle
THOMAS HOWES / William
ROB JAMES-COLLIER / Thomas
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
LESLEY NICOL / Mrs. Patmore
AMY NUTTALL / Ethel
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
DAN STEVENS / Matthew Crawley
PENELOPE WILTON / Isobel Crawley

Outstanding Performance by an Ensemble in a Comedy Series
MODERN FAMILY (ABC)
AUBREY ANDERSON-EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

 

SAG AWARDS HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
SKYFALL (Columbia Pictures)

Outstanding Action Performance by a Stunt Ensemble in a Television Series
GAME OF THRONES (HBO)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 49th Annual Life Achievement Award

DICK VAN DYKE

 

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray