By Ray Pride Pride@moviecitynews.com

RADiUS / THE WEINSTEIN COMPANY KNOCKS IT OUT WITH ‘CONCUSSION’

BOUTIQUE LABEL MAKES SECOND BIG PURCHASE OF FEST AFTER ACQUIRING OPENING NIGHT FILM ’20 FEET FROM STARDOM’

Park City – January 21, 2013:  RADiUS – TWC proudly announced tonight that it has acquired North American rights to CONCUSSION, one of the most provocative and well received films at this year’s Festival that is drawing endless comparisons to BELLE DE JOUR.

Written and directed by Stacie Passon in an auspicious directing debut effort, and produced by Rose Troche, CONCUSSION is a poignant sexual examination of Abby (Robin Weigert in a star making breakout turn), a forty something married wealthy, lesbian housewife who, after suffering a blow to the head from getting smacked by her son’s baseball—walks around every corner of her suburban life to confront a mounting desire for something else. She takes on a new project and purchases a pied-à-terre in Manhattan. Walking around the city streets reminds Abby what it feels like to be sexy, and her pent-up libido shakes off its inhibitions. Her newfound desire though is not a take-home item, so Abby inaugerates a double life as a high end escort.  Palpably sensual and deliciously contained, CONCUSSION is a keen observation of the complicated contours of midlife crisis.

According to RADiUS co-presidents Tom Quinn and Jason Janego: “We were mesmorized by CONCUSSION and the job Stacie did in creating such rich, relatable characters. This film made an indelible impression anchored by Robin’s exceptional performance – – one of the best we’ve seen on screen in a very long time.”

Stacie Passon goes on to say: “RADiUS is continuing to define itself as a home for artists. We are thrilled with the passion and dedication of Tom Quinn and Jason Janego and their exceptional team. We know we are in excellent hands.”

RADiUS has slated an early fall 2013 release.

In 2012, CONCUSSION was chosen for the Independent Feature Project’s narrative lab.  Additionally, CONCUSSION received the Adrienne Shelly Director’s Grant and the Calvin Klein Spotlight on Women Filmmakers Live the Dream Grant at the Gotham Awards.

In addition to Reigert (DEADWOOD), CONCUSSION also stars Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney and Laila Robins.  The executive producers are Anthony Cupo and Cliff Chenfeld. Rose Troche
Is the producer.

Quinn and Janego negotiated the deal with Paradigm’s Ben Weiss and attorney Andre Des Rochers both of whom brokered the deal on behalf of the film.

ABOUT RADiUS-TWC
RADiUS-TWC, the multi-platform label from the Weinstein Company (TWC) is the first studio division dedicated to multi-platform distribution. Utilizing both traditional and digital media, RADiUS-TWC brings the highest quality film and other specialty entertainment to a wider audience than ever before. Led by Tom Quinn and Jason Janego, the label will continue to develop innovative distribution strategies to make marqueecontent available where, when and how consumers want. The label’s inaugural slate includes such acquisitions as BACHELORETTE and ONLY GOD FORGIVES directed by Nicolas Winding Refn and starring Ryan Gosling and Kristen Scott Thomas. Other upcoming titles include: ERASED starring Aaron Eckhart, Errol Morris’ THE UNKNOWN KNOWN and Morgan Neville’s TWENTY FEET FROM STARDOM.

Leave a Reply

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”