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By Ray Pride Pride@moviecitynews.com

Picturing THE RAID 2 In Production

These stills come from a single, non-action scene of The Raid 2, but Gareth Evans is generous with small bits of information at his Twitter account. “Amazing steadicam work earlier. Huge shot. Got it and wrapped. Tonight reunites me with Prakoso in something of a tender scene for him.” “19 scenes out of 103 done so far. Close to a fifth of the way through in terms of content, but only 15% of the way through the schedule.”

Los Angeles, CA (January 31, 2013) – PT Merantau Films and XYZ Films announce the start of production for THE RAID 2 (Indonesian title, THE RAID 2: BERANDAL), the sequel to the wildly popular international hit THE RAID (aka THE RAID: REDEMPTION).  The film reunites writer/director Gareth Huw Evans with actor Iko Uwais, who will be reprising his starring role.  Ario Sagantoro is producing for PT Merantau Films, along with Nate Bolotin, Nick Spicer, Aram Tertzakian and Todd Brown for XYZ Films.  Executive producing are Rangga Maya Barack-Evans and Irwan D. Mussry.

In addition to Uwais, the international cast includes Tio Pakusadewo, Putra Arifin Scheunamann, Julie Estelle, Alex Abbad and Roy Marten.  The film is currently lensing in Jakarta, Indonesia and is scheduled to shoot for over 100 days. Line producing the film is Daiwanne Ralie, with Matthew Flannery and Dimas Imam Subhono serving as directors of photography.

Picking up right where the first film ends, The Raid 2 follows Rama (Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force. ”


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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…