By Ray Pride Pride@moviecitynews.com

PHASE 4 FILMS ACQUIRES SUNDANCE HIT ‘NEWLYWEEDS’

FOR IMMEDIATE RELEASE, PLEASE 

PARK CITY, UT, January 25 – Berry Meyerowitz, President & CEO of Phase 4 Films, announced today that the Company has acquired all North American rights to NEWLYWEEDS, the debut feature written and directed by Shaka King.  Produced by Jim Wareck, Michael Mathews, Shaka King and Gbenga Akinnagbe, with Andy Sawyer and Neil Katz serving as executive producers, NEWLYWEEDS just enjoyed its world premiere in the NEXT <=> section of the 2013 Sundance Film Festival, which concludes this weekend.

 

Phase 4 is planning a day and date theatrical and VOD release for the movie this summer.  The deal was negotiated by Phase 4’s Larry Greenberg and Katharyn Howe with Glen Reynolds of Circus Road Films on behalf of the filmmakers.

 

“We are thrilled to be working with Shaka on his first feature.  NEWLYWEEDS is an audience pleaser and we are looking forward to exposing it to audiences nationwide,” said Meyerowitz.

 

In NEWLYWEEDS, a Brooklyn repo-man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark comedy that is part ballad of chemical dependency, part coming-of-age romance, part hallucinatory adventure. A bittersweet blend of comedy and drama NEWLYWEEDS is the story of Lyle (Amari Cheatom), a repo-man by necessity, who is also a preacher-man in his purple-hazed fantasy, who is also on the verge of becoming a family man unless he and Nina (Trae Harris), his beautiful young girlfriend, are done in first by their mutual adoration and voracious consumption of cannabis.  NEWLYWEEDS is also a clear-eyed portrait of a contemporary New York neighborhood vibrantly photographed by Daniel Patterson that makes great use of a supporting cast, which includes Tone Tank, Isiah Whitlock Jr. (“The Wire,” CEDAR RAPIDS), Tony award-winner Tonia Pinkins, Colman Domingo (LINCOLN), Hassan Johnson (“The Wire”), Adrian Martinez and Anthony Chisholm.

 

About Phase 4 Films
Phase 4 Films distributes feature films and special interest content across all traditional theatrical and new media platforms in North America. The company’s previous releases include the provocatively sexy road movie HICK, starring Chloë Grace Moretz, Blake Lively, and Eddie Redmayne; 2011 Sundance award-winner ANOTHER HAPPY DAY, Sam Levinson’s dark comedy about a dysfunctional family, starring Ellen Barkin, Demi Moore, and Ezra Miller; the Canadian tour of Kevin Smith’s RED STATE, starring Michael Parks, Melissa Leo and John Goodman; and Carrie Preston’s Sundance 2012 hit comedy THAT’S WHAT SHE SAID starring Anne Heche, Marcia DeBonis, and Alia Shawkat. Upcoming releases for the Company include Megan Griffith’s 2012 SXSW Audience Award Winner, EDEN, starring Jamie Chung and Beau Bridges, and Mark L Mann’s directorial debut GENERATION UM, starring Keanu Reeves (THE MATRIX, CONSTANTINE).

Leave a Reply

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch