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By Ray Pride Pride@moviecitynews.com

National Society Of Film Critics 2012 Awards

National Society Of Film Critics

Best Picture: Amour
Best Director: Michael Haneke
Best Actor: Daniel Day-Lewis
Best Actress: Emmanuelle Riva
Best Screenplay: Tony Kushner
Best Supporting Actor: Matthew McConaughey, Magic Mike and Bernie
Best Supporting Actress: Amy Adams, The Master
Best Cinematography: Mihai Malaimare, Jr., The Master
Best Nonfiction Film: The Gatekeepers
Best Experimental Film: This Is Not a Film
Film Heritage Prizes: Laurence Kardish; Milestone Film and Video

2 Responses to “National Society Of Film Critics 2012 Awards”

  1. Daniella Isaacs says:

    Hummm. Well, I have to say they’ve had the best track record (in terms of my taste, anyway) of all the awards giving groups in the past, though I wouldn’t give prizes to Kushner or McConaughey this year. I guess I have to see AMOUR as soon as it comes my way.

  2. Al Alexander says:

    Amour is incredibly overrated. And Amy Adams, really? Almost as nonsensical as McConaughey choice. Spots should have gone to Sally Field and Alan Arkin

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“I was a brat back when I made Pootie Tang. I was dealing with people every day whose pressures I didn’t understand, and I wasn’t very nice about how I said no to them. I put myself in a position I didn’t have to be in. A lot of what makes this kind of stuff work is empathy. If you’re taking money from somebody, they have a right to look after it. It’s all just trying to be clear about the arrangement. That’s why when I set up ‘Louie,’ I just said, ‘This is what I’m comfortable doing, and if you don’t want to do it, I don’t blame you. But in exchange, I’ll take very little money.’ I was only getting $200,000 per show from them, which is insane, and it goes up just by tiny increments every year. The other part of the arrangement with FX is that if this stops working for them, they should just tell me and we’ll stop doing it. Contractually, FX has a right to demand that the scripts be filtered through them before I shoot them, just like any other show. But from the beginning, they haven’t read anything, and they like the show. If I start turning in shit, then they’re going to start asking to see scripts, and that’s perfectly fair.”
~ Louis C. K.

BOMB: Do you give a lot of direction?

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~ Olivier Assayas on directing

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