By Ray Pride

National Society Of Film Critics 2012 Awards

National Society Of Film Critics

Best Picture: Amour
Best Director: Michael Haneke
Best Actor: Daniel Day-Lewis
Best Actress: Emmanuelle Riva
Best Screenplay: Tony Kushner
Best Supporting Actor: Matthew McConaughey, Magic Mike and Bernie
Best Supporting Actress: Amy Adams, The Master
Best Cinematography: Mihai Malaimare, Jr., The Master
Best Nonfiction Film: The Gatekeepers
Best Experimental Film: This Is Not a Film
Film Heritage Prizes: Laurence Kardish; Milestone Film and Video

2 Responses to “National Society Of Film Critics 2012 Awards”

  1. Daniella Isaacs says:

    Hummm. Well, I have to say they’ve had the best track record (in terms of my taste, anyway) of all the awards giving groups in the past, though I wouldn’t give prizes to Kushner or McConaughey this year. I guess I have to see AMOUR as soon as it comes my way.

  2. Al Alexander says:

    Amour is incredibly overrated. And Amy Adams, really? Almost as nonsensical as McConaughey choice. Spots should have gone to Sally Field and Alan Arkin

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“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour