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By Ray Pride Pride@moviecitynews.com

Houston Film Critics Awards 2012

Best Picture–Argo
Best Director – Ben Affleck, Argo
Best Actor – Daniel Day-Lewis, Lincoln
Best Actress—Jennifer Lawrence, Silver Linings Playbook
Best Supporting Actor—Tommy Lee Jones, Lincoln
Best Supporting Actress—Anne Hathaway, Les Misérables
Best Screenplay—Tony Kushner, Lincoln
Best Cinematography—Roger Deakins, Skyfall
Best Animated Film—Wreck-It Ralph
Best Documentary Film—The Imposter
Best Foreign Film—Holy Motors
Best Score—Reinhold Heil, Johnny Klimek & Tom Tykwer, Cloud Atlas
Best Song—“Skyfall” from Skyfall, music & lyrics by ADELE and Paul Epworth
Texas Independent Film Award—Bernie
Worst Film—That’s My Boy
Technical Achievement—The Hobbit: An Unexpected Journey
Humanitarian of the Year—Adam Yauch
Lifetime Achievement—Robert Duvall
Outstanding Contribution to Cinema—Jeff Millar

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“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

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