The 2012 Golden Globes

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Best Motion Picture – Drama
Argo

Best Motion Picture – Comedy Or Musical
Les Misérables

Best Performance by an Actress in a Motion Picture – Drama
Jessica Chastain – Zero Dark Thirty

Best Performance by an Actor in a Motion Picture – Drama
Daniel Day-Lewis – Lincoln

Best Performance by an Actress in a Motion Picture – Comedy Or Musical
Jennifer Lawrence – Silver Linings Playbook

Best Performance by an Actor in a Motion Picture – Comedy Or Musical
Hugh Jackman – Les Misérables

Best Performance by an Actress In A Supporting Role in a Motion Picture
Anne Hathaway – Les Misérables

Best Performance by an Actor In A Supporting Role in a Motion Picture
Christoph Waltz – Django Unchained

Best Director – Motion Picture
Ben Affleck – Argo

Best Screenplay – Motion Picture
Django Unchained – Quentin Tarantino

Best Original Score – Motion Picture
Life of Pi – Mychael Danna

Best Original Song – Motion Picture
Adele, Paul Epworth – Skyfall from Skyfall

Best Animated Feature Film
Brave

Best Foreign Language Film
Amour

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima