By Ray Pride Pride@moviecitynews.com

ENTERTAINMENT ONE EATS UP THE US RIGHTS TO JIM MICKLE THRILLER WE ARE WHAT WE ARE

CRITICALLY ACCLAIMED SUNDANCE FILM ACQUIRED BY eONE FOR U.S. THEATRICAL DISTRIBUTION

 

LOS ANGELES/TORONTO – January 26, 2013 – Entertainment One (“eOne”) has acquired the U.S. rights to Jim Mickle’s suspenseful horror thriller WE ARE WHAT WE ARE for a theatrical release planned for later this year.  The film premiered to major critical acclaim this week at the 2013 Sundance Film Festival.

In WE ARE WHAT WE ARE, a re-imagining of the 2010 Mexican film of the same name, Jim Mickle paints a gripping and gruesome portrait of an introverted family struggling to keep their macabre traditions alive.

A seemingly wholesome and benevolent family, the Parkers have always kept to themselves, and for good reason. Behind closed doors, patriarch Frank (Bill Sage, “Boardwalk Empire”) rules his family with a rigorous ferver, determined to keep his ancestral customs intact at any cost.  As a torrential rainstorm moves into the area, tragedy strikes and his daughters Iris (Ambyr Childers, THE MASTER) and Rose (Julia Garner, MARTHA MARCY MAY MARLENE) are forced to assume responsibilities that extend beyond those of a typical family.  The film also stars Michael Parks (DJANGO UNCHAINED), Kelly McGillis (STAKELAND), Nick Damici (STAKELAND), Wyatt Russell (THIS IS 40) and newcomer Jack Gore.

WE ARE WHAT WE ARE was written by Mickle and Damici.  The two previously collaborated on the screenplays for Mickle’s first two features, MULBERRY STREET and STAKELAND (winner of the “Midnight Madness” Audience Award at the 2010 Toronto International Film Festival).

WE ARE WHAT WE ARE was produced by Rodrigo Bellott, Andrew D. Corkin, Linda Moran, Nicholas Shumaker and Jack Turner.

“We’re so very excited to add WE ARE WHAT WE ARE to our US slate,” said Dylan Wiley, VP Theatrical Marketing and Distribution, eOne Films North America. “Jim Mickle’s talent was obvious in MULBERRY STREET and STAKE LAND, but this film fulfills his vision on a whole new level and will put him in his rightful place among the masters of genre filmmaking.  It will be our pleasure to introduce him to an even wider fan base and we’re confident that audiences will eat up the film.”

“On behalf of the incredible cast and crew of WE ARE WHAT WE ARE, I’m extremely pleased to team up with eOne on a theatrical release and beyond.  The response at Sundance has been amazing and we look forward to continuing the journey with our new partners in crime,” said Jim Mickle.

The deal was negotiated by Mark Ankner and Christine D’Souza for WME Global, Andre des Rochers for Gray Krauss Stratford Des Rochers LLP, Emilie Georges for Memento Films International and Sejin Croninger, VP Worldwide Acquisitions for eOne.  As previously announced, eOne also acquired rights to WE ARE WHAT WE ARE in the UK, Canada, France, Scandinavia and South Africa.  Memento Films International is handling international sales.

WE ARE WHAT WE ARE is expected to hit theatres in the US in late 2013, adding to eOne’s exciting upcoming US lineup which includes; Brian de Palma’s PASSION and Sergio Castellitto’s TWICE BORNThe team is also looking forward to making additional acquisition announcements in the coming weeks.

 

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About Entertainment One

Entertainment One (LSE:ETO) is a leading international entertainment company that specializes in the acquisition, production and distribution of film and television content.  The company’s comprehensive network extends around the globe including Canada, the U.S., the UK, Ireland, Benelux, Spain, France, Scandinavia, Australia, New Zealand, South Africa and South Korea.  Through established Entertainment and Distribution divisions, the company provides extensive expertise in film distribution, television and music production, kids programming and merchandising and licensing. Its current rights library is exploited across all media formats and includes more than 35,000 film and television titles, 2,700 hours of television programming and 45,000 music tracks.

 

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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