By MCN Editor editor@moviecitynews.com

EE British Academy Film Awards Nominations in 2013

09 January 13

EE Film Awards Logo [pos - thin]

 

BEST FILM

ARGOGrant Heslov, Ben Affleck, George Clooney
LES MISÉRABLESTim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
LIFE OF PIGil Netter, Ang Lee, David Womark
LINCOLNSteven Spielberg, Kathleen Kennedy
ZERO DARK THIRTYMark Boal, Kathryn Bigelow, Megan Ellison

 

OUTSTANDING BRITISH FILM

ANNA KARENINAJoe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard
THE BEST EXOTIC MARIGOLD HOTELJohn Madden, Graham Broadbent, Pete Czernin, Ol Parker
LES MISÉRABLESTom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer
SEVEN PSYCHOPATHSMartin McDonagh, Graham Broadbent, Pete Czernin
SKYFALLSam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

 

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter
DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) – McCullin
DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) – Wild Bill
JAMES BOBIN (Director) – The Muppets
TINA GHARAVI (Director/Writer) – I Am Nasrine

 

DIRECTOR

AMOURMichael Haneke
ARGOBen Affleck
DJANGO UNCHAINEDQuentin Tarantino
LIFE OF PIAng Lee
ZERO DARK THIRTYKathryn Bigelow

 

DOCUMENTARY

THE IMPOSTERBart Layton, Dimitri Doganis
MARLEYKevin Macdonald, Steve Bing, Charles Steel
McCULLINDavid Morris, Jacqui Morris
SEARCHING FOR SUGAR MANMalik Bendjelloul, Simon Chinn
WEST OF MEMPHISAmy Berg

 

ORIGINAL SCREENPLAY

AMOURMichael Haneke
DJANGO UNCHAINEDQuentin Tarantino
THE MASTERPaul Thomas Anderson
MOONRISE KINGDOMWes Anderson, Roman Coppola
ZERO DARK THIRTYMark Boal

 

ADAPTED SCREENPLAY

ARGOChris Terrio
BEASTS OF THE SOUTHERN WILDLucy Alibar, Benh Zeitlin
LIFE OF PIDavid Magee
LINCOLNTony Kushner
SILVER LININGS PLAYBOOKDavid O. Russell

 

FILM NOT IN THE ENGLISH LANGUAGE

AMOURMichael Haneke, Margaret Ménégoz
HEADHUNTERSMorten Tyldum, Marianne Gray, Asle Vatn
THE HUNTThomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann
RUST AND BONEJacques Audiard, Pascal Caucheteux
UNTOUCHABLEEric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun

 

ANIMATED FILM

BRAVEMark Andrews, Brenda Chapman
FRANKENWEENIETim Burton
PARANORMANSam Fell, Chris Butler

 

LEADING ACTOR

BEN AFFLECKArgo
BRADLEY COOPERSilver Linings Playbook
DANIEL DAY-LEWISLincoln
HUGH JACKMANLes Misérables
JOAQUIN PHOENIXThe Master

 

LEADING ACTRESS

EMMANUELLE RIVAAmour
HELEN MIRRENHitchcock
JENNIFER LAWRENCESilver Linings Playbook
JESSICA CHASTAINZero Dark Thirty
MARION COTILLARDRust and Bone

 

SUPPORTING ACTOR

ALAN ARKINArgo
CHRISTOPH WALTZDjango Unchained
JAVIER BARDEMSkyfall
PHILIP SEYMOUR HOFFMANThe Master
TOMMY LEE JONESLincoln

 

SUPPORTING ACTRESS

AMY ADAMSThe Master
ANNE HATHAWAYLes Misérables
HELEN HUNTThe Sessions
JUDI DENCHSkyfall
SALLY FIELDLincoln

 

ORIGINAL MUSIC

ANNA KARENINADario Marianelli
ARGOAlexandre Desplat
LIFE OF PIMychael Danna
LINCOLNJohn Williams
SKYFALLThomas Newman

 

CINEMATOGRAPHY

ANNA KARENINASeamus McGarvey
LES MISÉRABLESDanny Cohen
LIFE OF PIClaudio Miranda
LINCOLNJanusz Kaminski
SKYFALLRoger Deakins

 

EDITING

ARGOWilliam Goldenberg
DJANGO UNCHAINEDFred Raskin
LIFE OF PITim Squyres
SKYFALLStuart Baird
ZERO DARK THIRTYDylan Tichenor, William Goldenberg

 

PRODUCTION DESIGN

ANNA KARENINASarah Greenwood, Katie Spencer
LES MISÉRABLESEve Stewart, Anna Lynch-Robinson
LIFE OF PIDavid Gropman, Anna Pinnock
LINCOLNRick Carter, Jim Erickson
SKYFALLDennis Gassner, Anna Pinnock

 

COSTUME DESIGN

ANNA KARENINAJacqueline Durran
GREAT EXPECTATIONSBeatrix Aruna Pasztor
LES MISÉRABLESPaco Delgado
LINCOLNJoanna Johnston
SNOW WHITE AND THE HUNTSMANColleen Atwood

 

SOUND

DJANGO UNCHAINEDMark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman
THE HOBBIT: AN UNEXPECTED JOURNEYTony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward
LES MISÉRABLESSimon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst
LIFE OF PIDrew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill
SKYFALLStuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers

 

SPECIAL VISUAL EFFECTS

THE DARK KNIGHT RISESPaul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley
THE HOBBIT: AN UNEXPECTED JOURNEYJoe Letteri, Eric Saindon, David Clayton, R. Christopher White
LIFE OF PIBill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer
MARVEL AVENGERS ASSEMBLENominees TBC
PROMETHEUSRichard Stammers, Charley Henley, Trevor Wood, Paul Butterworth

 

MAKE UP & HAIR

ANNA KARENINAIvana Primorac
HITCHCOCKJulie Hewett, Martin Samuel, Howard Berger
THE HOBBIT: AN UNEXPECTED JOURNEYPeter Swords King, Richard Taylor, Rick Findlater
LES MISÉRABLESLisa Westcott
LINCOLNLois Burwell, Kay Georgiou

 

SHORT ANIMATION

HERE TO FALLKris Kelly, Evelyn McGrath
I’M FINE THANKSEamonn O’Neill
THE MAKING OF LONGBIRDWill Anderson, Ainslie Henderson

 

SHORT FILM

THE CURSEFyzal Boulifa, Gavin Humphries
GOOD NIGHTMuriel d’Ansembourg, Eva Sigurdardottir
SWIMMERLynne Ramsay, Peter Carlton, Diarmid Scrimshaw
TUMULTJohnny Barrington, Rhianna Andrews
THE VOORMAN PROBLEMMark Gill, Baldwin Li

 

EE RISING STAR AWARD

Find out more about this Award: EE Rising Star Award 2013 >

Elizabeth Olsen
Andrea Riseborough
Suraj Sharma
Juno Temple
Alicia Vikander

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Tsangari: With my next film, White Knuckles, it comes with a budget — it’s going to be a huge new world for me. As always when I enter into a new thing, don’t you wonder how it’s going to be and how much of yourself you are going to have to sacrifice? The ballet of all of this. I’m already imaging the choreography — not of the camera, but the choreography of actually bringing it to life. It is as fascinating as the shooting itself. I find the producing as exciting as the directing. The one informs the other. There is this producer-director hat that I constantly wear. I’ve been thinking about these early auteurs, like Howard Hawks and John Ford and Preston Sturges—all of these guys basically were hired by the studio, and I doubt they had final cut, and somehow they had films that now we can say they had their signatures.  There are different ways of being creative within the parameters and limitations of production. The only thing you cannot negotiate is stupidity.
Filmmaker: And unfortunately, there is an abundance of that in the world.
Tsangari: This is the only big risk: stupidity. Everything else is completely worked out in the end.
~ Chevalier‘s Rachel Athina Tsangari

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

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