By MCN Editor editor@moviecitynews.com

EE British Academy Film Awards Nominations in 2013

09 January 13

EE Film Awards Logo [pos - thin]

 

BEST FILM

ARGOGrant Heslov, Ben Affleck, George Clooney
LES MISÉRABLESTim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
LIFE OF PIGil Netter, Ang Lee, David Womark
LINCOLNSteven Spielberg, Kathleen Kennedy
ZERO DARK THIRTYMark Boal, Kathryn Bigelow, Megan Ellison

 

OUTSTANDING BRITISH FILM

ANNA KARENINAJoe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard
THE BEST EXOTIC MARIGOLD HOTELJohn Madden, Graham Broadbent, Pete Czernin, Ol Parker
LES MISÉRABLESTom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer
SEVEN PSYCHOPATHSMartin McDonagh, Graham Broadbent, Pete Czernin
SKYFALLSam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

 

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter
DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) – McCullin
DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) – Wild Bill
JAMES BOBIN (Director) – The Muppets
TINA GHARAVI (Director/Writer) – I Am Nasrine

 

DIRECTOR

AMOURMichael Haneke
ARGOBen Affleck
DJANGO UNCHAINEDQuentin Tarantino
LIFE OF PIAng Lee
ZERO DARK THIRTYKathryn Bigelow

 

DOCUMENTARY

THE IMPOSTERBart Layton, Dimitri Doganis
MARLEYKevin Macdonald, Steve Bing, Charles Steel
McCULLINDavid Morris, Jacqui Morris
SEARCHING FOR SUGAR MANMalik Bendjelloul, Simon Chinn
WEST OF MEMPHISAmy Berg

 

ORIGINAL SCREENPLAY

AMOURMichael Haneke
DJANGO UNCHAINEDQuentin Tarantino
THE MASTERPaul Thomas Anderson
MOONRISE KINGDOMWes Anderson, Roman Coppola
ZERO DARK THIRTYMark Boal

 

ADAPTED SCREENPLAY

ARGOChris Terrio
BEASTS OF THE SOUTHERN WILDLucy Alibar, Benh Zeitlin
LIFE OF PIDavid Magee
LINCOLNTony Kushner
SILVER LININGS PLAYBOOKDavid O. Russell

 

FILM NOT IN THE ENGLISH LANGUAGE

AMOURMichael Haneke, Margaret Ménégoz
HEADHUNTERSMorten Tyldum, Marianne Gray, Asle Vatn
THE HUNTThomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann
RUST AND BONEJacques Audiard, Pascal Caucheteux
UNTOUCHABLEEric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun

 

ANIMATED FILM

BRAVEMark Andrews, Brenda Chapman
FRANKENWEENIETim Burton
PARANORMANSam Fell, Chris Butler

 

LEADING ACTOR

BEN AFFLECKArgo
BRADLEY COOPERSilver Linings Playbook
DANIEL DAY-LEWISLincoln
HUGH JACKMANLes Misérables
JOAQUIN PHOENIXThe Master

 

LEADING ACTRESS

EMMANUELLE RIVAAmour
HELEN MIRRENHitchcock
JENNIFER LAWRENCESilver Linings Playbook
JESSICA CHASTAINZero Dark Thirty
MARION COTILLARDRust and Bone

 

SUPPORTING ACTOR

ALAN ARKINArgo
CHRISTOPH WALTZDjango Unchained
JAVIER BARDEMSkyfall
PHILIP SEYMOUR HOFFMANThe Master
TOMMY LEE JONESLincoln

 

SUPPORTING ACTRESS

AMY ADAMSThe Master
ANNE HATHAWAYLes Misérables
HELEN HUNTThe Sessions
JUDI DENCHSkyfall
SALLY FIELDLincoln

 

ORIGINAL MUSIC

ANNA KARENINADario Marianelli
ARGOAlexandre Desplat
LIFE OF PIMychael Danna
LINCOLNJohn Williams
SKYFALLThomas Newman

 

CINEMATOGRAPHY

ANNA KARENINASeamus McGarvey
LES MISÉRABLESDanny Cohen
LIFE OF PIClaudio Miranda
LINCOLNJanusz Kaminski
SKYFALLRoger Deakins

 

EDITING

ARGOWilliam Goldenberg
DJANGO UNCHAINEDFred Raskin
LIFE OF PITim Squyres
SKYFALLStuart Baird
ZERO DARK THIRTYDylan Tichenor, William Goldenberg

 

PRODUCTION DESIGN

ANNA KARENINASarah Greenwood, Katie Spencer
LES MISÉRABLESEve Stewart, Anna Lynch-Robinson
LIFE OF PIDavid Gropman, Anna Pinnock
LINCOLNRick Carter, Jim Erickson
SKYFALLDennis Gassner, Anna Pinnock

 

COSTUME DESIGN

ANNA KARENINAJacqueline Durran
GREAT EXPECTATIONSBeatrix Aruna Pasztor
LES MISÉRABLESPaco Delgado
LINCOLNJoanna Johnston
SNOW WHITE AND THE HUNTSMANColleen Atwood

 

SOUND

DJANGO UNCHAINEDMark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman
THE HOBBIT: AN UNEXPECTED JOURNEYTony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward
LES MISÉRABLESSimon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst
LIFE OF PIDrew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill
SKYFALLStuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers

 

SPECIAL VISUAL EFFECTS

THE DARK KNIGHT RISESPaul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley
THE HOBBIT: AN UNEXPECTED JOURNEYJoe Letteri, Eric Saindon, David Clayton, R. Christopher White
LIFE OF PIBill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer
MARVEL AVENGERS ASSEMBLENominees TBC
PROMETHEUSRichard Stammers, Charley Henley, Trevor Wood, Paul Butterworth

 

MAKE UP & HAIR

ANNA KARENINAIvana Primorac
HITCHCOCKJulie Hewett, Martin Samuel, Howard Berger
THE HOBBIT: AN UNEXPECTED JOURNEYPeter Swords King, Richard Taylor, Rick Findlater
LES MISÉRABLESLisa Westcott
LINCOLNLois Burwell, Kay Georgiou

 

SHORT ANIMATION

HERE TO FALLKris Kelly, Evelyn McGrath
I’M FINE THANKSEamonn O’Neill
THE MAKING OF LONGBIRDWill Anderson, Ainslie Henderson

 

SHORT FILM

THE CURSEFyzal Boulifa, Gavin Humphries
GOOD NIGHTMuriel d’Ansembourg, Eva Sigurdardottir
SWIMMERLynne Ramsay, Peter Carlton, Diarmid Scrimshaw
TUMULTJohnny Barrington, Rhianna Andrews
THE VOORMAN PROBLEMMark Gill, Baldwin Li

 

EE RISING STAR AWARD

Find out more about this Award: EE Rising Star Award 2013 >

Elizabeth Olsen
Andrea Riseborough
Suraj Sharma
Juno Temple
Alicia Vikander

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Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas