Night Moves
MCN Blogs

By DP30 david@thehotbuttonl.com

DP/30 Sneak Peek: Alex Gibney on Zero Dark Thirty @ Sundance 2013

One Response to “DP/30 Sneak Peek: Alex Gibney on Zero Dark Thirty @ Sundance 2013”

  1. JAB says:

    Mr. Gibney nailed it when he said the subject of torture in ZDT is “too hot” right now. I have tremendous respect for him so his opinion actually counts to me.
    I disagree with him here. The first third of the movie probably comes down “pro-torture”. The cut from black screen voices being heard (which mentions the title of the best post 9/11 film, “United 93″, & I doubt I’m the only Paul Greengrass fan who picked up on that unintended reference) to the “enhanced interrogation” is brilliant. The middle of the film muddles the effectiveness of that tactic & by the end of the film it became an afterthought.
    This may sound ridiculous, but Ms. Bigelow did not categorically deny that she her & Mr. Boal may have been spun by sources when she appeared on “The Colbert Report” a couple of weeks ago in that fascinating interview (Colbert=ridiculous?, I know).
    This is 2012′s best film.
    Like Mr. Gibney, I’m a big fan of Bigelow’s but I didn’t like “K19…” & “The Weight Of Water”.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel