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By DP30 david@thehotbuttonl.com

DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell

6 Responses to “DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell”

  1. actionman says:

    This is one of the best DP 30’s ever. This guy is awesome on so many levels. Hope he finally wins his Oscar as he’s tragically over-due. So curious about Pain & Gain…

  2. benwright says:

    David, as always, your DP30’s with post folks (especially sound) are smart and really informative. Great questions! Greg seemed genuinely happy to talk about his craft.

  3. Love Greg. Really think this might be his year.

  4. AdamL says:

    Everyone on goldderby reckons it’ll be Les Mis. Hope they’re wrong.

  5. 70srichard says:

    Very nice interview. Loved Skyfall and I have enjoyed Greg’s other work as well.

  6. Rodney Sharpp says:

    HEY GREG,
    HANG IN THERE MAN GOOD JOB ON SKYFALL!!!

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DP/30

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“Rjukan is a town in Norway and it sits at the bottom of a deep valley. For six months a year no sunlight falls on it because of its location. About 120 years ago one of the town’s founders had this pipe dream of putting up mirrors on the mountainside in order to beam down light to Rjukan. The technology wasn’t there, but about two years ago an artist installed these very large solar-panelled mirrors into the side of the valley that follow the sun as it moves across the sky. Now a rectangle of light about the size of a tennis court shines on to the town. I want to stand in that rectangle of light.”
~ “Cloud Atlas” Novelist David Mitchell

“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

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