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Central Ohio Film Critics Association 2013 Awards

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COFCA

The 11th Annual Central Ohio Film Critics Association Awards, honoring the best in film for 2012, were announced on January 3, 2013.

Best Film
1. Moonrise Kingdom
2. Argo
3. Django Unchained
4. Zero Dark Thirty
5. The Cabin in the Woods
6. Silver Linings Playbook
7. Lincoln
8. Looper
9. The Master
10. Les Misérables

Best Director
• Wes Anderson – (Moonrise Kingdom)
• Runner-Up: Ben Affleck – (Argo)

Best Actor
• Daniel Day-Lewis – (Lincoln)
• Runner-Up: John Hawkes – (The Sessions)

Best Actress
• Jennifer Lawrence – (Silver Linings Playbook)
• Runner-Up: Naomi Watts – (The Impossible)

Best Supporting Actor
• Christoph Waltz – (Django Unchained)
• Runner-Up: Leonardo DiCaprio – (Django Unchained)

Best Supporting Actress
• Anne Hathaway – (Les Misérables)
• Runner-Up (tie): Helen Hunt – (The Sessions)
• Runner-Up (tie): Ann Dowd – (Compliance)

Best Ensemble
• Moonrise Kingdom
• Runner-Up: Lincoln

Actor of the Year (for an exemplary body of work)
• Matthew McConaughey – (Bernie, Killer Joe, Magic Mike, and The Paperboy)
• Runner-Up: Anne Hathaway – (The Dark Knight Rises and Les Misérables)

Breakthrough Film Artist
• Bart Layton – (The Imposter) – (for directing)
• Runner-Up: Quvenzhané Wallis – (Beasts of the Southern Wild) – (for acting)

Best Cinematography
• Roger Deakins – (Skyfall)
• Runner-Up: Claudio Miranda – (Life of Pi)

Best Adapted Screenplay
• Tony Kushner – (Lincoln)
• Runner-Up: Chris Terrio – (Argo)

Best Original Screenplay
• Wes Anderson and Roman Coppola – (Moonrise Kingdom)
• Runner-Up: Drew Goddard and Joss Whedon – (The Cabin in the Woods)

Best Score
• Alexandre Desplat – (Moonrise Kingdom)
• Runner-Up: Reinhold Heil, Johnny Klimek, and Tom Tykwer – (Cloud Atlas)

Best Documentary
• How to Survive a Plague
• Runner-Up: The Imposter

Best Foreign Language Film
• The Kid with a Bike (Le gamin au vélo)
• Runner-Up: Headhunters (Hodejegerne)

Best Animated Film
• ParaNorman
• Runner-Up: Wreck-It Ralph

Best Overlooked Film
• Killer Joe
• Runner-Up: Safety Not Guaranteed

 

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INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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