Central Ohio Film Critics Association 2013 Awards

2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2013 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | | 2012 | 2012 | 2012 | | 2012 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2014 | 2014 | 2014

COFCA

The 11th Annual Central Ohio Film Critics Association Awards, honoring the best in film for 2012, were announced on January 3, 2013.

Best Film
1. Moonrise Kingdom
2. Argo
3. Django Unchained
4. Zero Dark Thirty
5. The Cabin in the Woods
6. Silver Linings Playbook
7. Lincoln
8. Looper
9. The Master
10. Les Misérables

Best Director
• Wes Anderson – (Moonrise Kingdom)
• Runner-Up: Ben Affleck – (Argo)

Best Actor
• Daniel Day-Lewis – (Lincoln)
• Runner-Up: John Hawkes – (The Sessions)

Best Actress
• Jennifer Lawrence – (Silver Linings Playbook)
• Runner-Up: Naomi Watts – (The Impossible)

Best Supporting Actor
• Christoph Waltz – (Django Unchained)
• Runner-Up: Leonardo DiCaprio – (Django Unchained)

Best Supporting Actress
• Anne Hathaway – (Les Misérables)
• Runner-Up (tie): Helen Hunt – (The Sessions)
• Runner-Up (tie): Ann Dowd – (Compliance)

Best Ensemble
• Moonrise Kingdom
• Runner-Up: Lincoln

Actor of the Year (for an exemplary body of work)
• Matthew McConaughey – (Bernie, Killer Joe, Magic Mike, and The Paperboy)
• Runner-Up: Anne Hathaway – (The Dark Knight Rises and Les Misérables)

Breakthrough Film Artist
• Bart Layton – (The Imposter) – (for directing)
• Runner-Up: Quvenzhané Wallis – (Beasts of the Southern Wild) – (for acting)

Best Cinematography
• Roger Deakins – (Skyfall)
• Runner-Up: Claudio Miranda – (Life of Pi)

Best Adapted Screenplay
• Tony Kushner – (Lincoln)
• Runner-Up: Chris Terrio – (Argo)

Best Original Screenplay
• Wes Anderson and Roman Coppola – (Moonrise Kingdom)
• Runner-Up: Drew Goddard and Joss Whedon – (The Cabin in the Woods)

Best Score
• Alexandre Desplat – (Moonrise Kingdom)
• Runner-Up: Reinhold Heil, Johnny Klimek, and Tom Tykwer – (Cloud Atlas)

Best Documentary
• How to Survive a Plague
• Runner-Up: The Imposter

Best Foreign Language Film
• The Kid with a Bike (Le gamin au vélo)
• Runner-Up: Headhunters (Hodejegerne)

Best Animated Film
• ParaNorman
• Runner-Up: Wreck-It Ralph

Best Overlooked Film
• Killer Joe
• Runner-Up: Safety Not Guaranteed

 

Leave a Reply

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies