Central Ohio Film Critics Association 2013 Awards

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COFCA

The 11th Annual Central Ohio Film Critics Association Awards, honoring the best in film for 2012, were announced on January 3, 2013.

Best Film
1. Moonrise Kingdom
2. Argo
3. Django Unchained
4. Zero Dark Thirty
5. The Cabin in the Woods
6. Silver Linings Playbook
7. Lincoln
8. Looper
9. The Master
10. Les Misérables

Best Director
• Wes Anderson – (Moonrise Kingdom)
• Runner-Up: Ben Affleck – (Argo)

Best Actor
• Daniel Day-Lewis – (Lincoln)
• Runner-Up: John Hawkes – (The Sessions)

Best Actress
• Jennifer Lawrence – (Silver Linings Playbook)
• Runner-Up: Naomi Watts – (The Impossible)

Best Supporting Actor
• Christoph Waltz – (Django Unchained)
• Runner-Up: Leonardo DiCaprio – (Django Unchained)

Best Supporting Actress
• Anne Hathaway – (Les Misérables)
• Runner-Up (tie): Helen Hunt – (The Sessions)
• Runner-Up (tie): Ann Dowd – (Compliance)

Best Ensemble
• Moonrise Kingdom
• Runner-Up: Lincoln

Actor of the Year (for an exemplary body of work)
• Matthew McConaughey – (Bernie, Killer Joe, Magic Mike, and The Paperboy)
• Runner-Up: Anne Hathaway – (The Dark Knight Rises and Les Misérables)

Breakthrough Film Artist
• Bart Layton – (The Imposter) – (for directing)
• Runner-Up: Quvenzhané Wallis – (Beasts of the Southern Wild) – (for acting)

Best Cinematography
• Roger Deakins – (Skyfall)
• Runner-Up: Claudio Miranda – (Life of Pi)

Best Adapted Screenplay
• Tony Kushner – (Lincoln)
• Runner-Up: Chris Terrio – (Argo)

Best Original Screenplay
• Wes Anderson and Roman Coppola – (Moonrise Kingdom)
• Runner-Up: Drew Goddard and Joss Whedon – (The Cabin in the Woods)

Best Score
• Alexandre Desplat – (Moonrise Kingdom)
• Runner-Up: Reinhold Heil, Johnny Klimek, and Tom Tykwer – (Cloud Atlas)

Best Documentary
• How to Survive a Plague
• Runner-Up: The Imposter

Best Foreign Language Film
• The Kid with a Bike (Le gamin au vélo)
• Runner-Up: Headhunters (Hodejegerne)

Best Animated Film
• ParaNorman
• Runner-Up: Wreck-It Ralph

Best Overlooked Film
• Killer Joe
• Runner-Up: Safety Not Guaranteed

 

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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