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By Ray Pride Pride@moviecitynews.com

BARBRA STREISAND TO PERFORM ON THE OSCARS® FOR THE FIRST TIME IN 36 YEARS

January 30, 2013
FOR IMMEDIATE RELEASE

BEVERLY HILLS, CA– Two-time Academy Award® winner Barbra Streisand, who has sung on the Oscars only once before, will perform on the upcoming Oscar® telecast on February 24. Streisand last sang the love theme from “A Star Is Born” on the March 28, 1977 show, winning the Best Original Song Oscar for “Evergreen” that same night.

“In an evening that celebrates the artistry of movies and music,” said producers Craig Zadan and Neil Meron, “how could the telecast be complete without Barbra Streisand? We are honored that she has agreed to do a very special performance on this year’s Oscars, her first time singing on the show in 36 years.”

Streisand won her first Oscar for Best Actress in “Funny Girl” (1968), and was nominated again in 1973 for her lead performance in “The Way We Were.” She was also nominated for producing the Best Picture nominee “The Prince of Tides” (1991), which she also directed, and for co-writing the original song “I Finally Found Someone” from “The Mirror Has Two Faces” (1996).

Oscars for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

 

ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” “Life with Judy Garland,” and “A Raisin in the Sun,” among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning “Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

 

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners-the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy
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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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