By Ray Pride Pride@moviecitynews.com

A24 Acquires Sundance breakout THE SPECTACULAR NOW

Park City, UT (January 21, 2013) - A24 announced the acquisition of North American rights to Sundance favorite THE SPECTACULAR NOW.  The James Ponsoldt directed film, from a script by Scott Neustadter and Michael Weber, has become one of the darlings of the Sundance Film Festival and features breakout performances by Miles Teller and Shailene Woodley. Film also features wonderful turns by Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler and Andre Royo. Film premiered on Friday night at Sundance in US Dramatic Competition. A24 will release the film this summer.

“We fell in love with this film the minute that we watched it and we know the rest of the country will embrace this timeless love story. James has directed a wonderful film that depicts young love with complete authenticity and has two young stars giving incredible performances with Miles Teller and Shailene Woodley.” says A24.

Producer Andrew Lauren says, “I am so thrilled that the film has found a home with a company that has such passion for it.  It’s been an amazing Sundance and we are so gratified by the incredibly warm response here.”

THE SPECTACULAR NOW was produced by Tom McNulty, Shawn Levy, Andrew Lauren, and Michelle Krumm.

The deal was negotiated with A24 by UTA Independent Film Group on behalf of the filmmakers. James Ponsoldt is also represented by UTA.

FILM SYNOPSIS:

This adaptation of Tim Tharp’s novel The Spectacular Now captures the insecurity and confusion of adolescence without looking for tidy truths. Young actors rarely portray teens with the maturity that Teller and Woodley display, and they are phenomenal together.  THE SPECTACULAR NOW is a funny, compassionate and poignant love story written by (500) DAYS OF SUMMER scribes Scott Neustadter and Michael H. Weber, directed by James Ponsoldt (SMASHED) and produced by Tom McNulty, Shawn Levy, Andrew Lauren and Michelle Krumm.

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ABOUT A24

Launched in the summer of 2012 is a New York-based media company focused on the distribution, financing and production of feature films. The company will distribute, in all media, eight to ten films per year; its initial titles include Roman Coppola’s star-studded comedy A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, starring Charlie Sheen, Bill Murray and Jason Schwartzman, and Sally Potter’s critically acclaimed GINGER & ROSA starring Elle Fanning, Annette Bening, Alessandro Nivola and Christina Hendricks. The film is also releasing Harmony Korine’s highly-buzzed about SPRING BREAKERS starring Selena Gomez, Vanessa Hudgens, Ashley Benson, Rachel Korine, and James Franco. They also just announced the pick-up of Sofia Coppola’s latest THE BLING RING.

Facebook.com/A24Films

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MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé

A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2