By Ray Pride Pride@moviecitynews.com

65th Annual DGA Awards Feature Film Nominees Announced

LOS ANGELES, CA: On January 8, 2013, DGA President Taylor Hackford announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2012.

“DGA members have chosen an incredibly rich and varied group of filmmakers to nominate for this year’s Outstanding Directorial Achievement in Feature Film Award. These directors represent the highest standard of filmmaking, and their films are a testament to artistic achievement, innovative storytelling and the passion that filmmakers share with their audiences,” said Hackford. “Being nominated by their peers is what makes this award particularly meaningful for directors, and I congratulate all of the nominees for their outstanding work.”

The winner will be named at the 65th Annual DGA Awards Dinner on Saturday, Febnuary 2, 2013, at the Ray Dolby Ballroom at Hollywood & Highland.

The nominees are (in alphabetical order):

Argo
(Warner Bros. Pictures)

Mr. Affleck’s Directorial Team:

  • Unit Production Manager:  Amy Herman
  • First Assistant Director:  David Webb
  • Second Assistant Director:  Ian Calip
  • Second Second Assistant Directors:  Clark Credle, Gavin Kleintop
  • First Assistant Director (Turkey Unit):  Belkis Turan

This is Mr. Affleck’s first DGA Feature Film Award nomination.

Zero Dark Thirty
(Columbia Pictures)

Ms. Bigelow’s Directorial Team:

  • Unit Production Manager:  Colin Wilson
  • First Assistant Director:  David A. Ticotin
  • Second Assistant Directors: Ben Lanning, Sarah Hood
  • First Assistant Director (Jordan Unit): Scott Robertson
  • Second Assistant Directors (Jordan Unit):  Jonas Spaccarotelli, Yanal Kassay
  • Second Second Assistant Director (Jordan Unit):  Tarek Afifi
  • Unit Production Manager (India Unit): Rajeev Mehra

This is Ms. Bigelow’s second DGA Feature Film Award nomination. She won the DGA Award for Outstanding Directorial Achievement in Feature Film for The Hurt Locker in 2009.

Les Misérables
(Universal Pictures)

Mr. Hooper’s Directorial Team:

  • Unit Production Manager:  Patrick Schweitzer
  • First Assistant Director: Ben Howarth
  • Second Assistant Director:  Harriet Worth
  • Second Second Assistant Director: Dan Channing Williams

This is Mr. Hooper’s second DGA Feature Film Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film for The King’s Speech (2010) and was previously nominated for the DGA Award for Outstanding Directorial Achievement in Movies for Television/Mini-Series for John Adams in 2008.

Life of Pi
(Twentieth Century Fox)

Mr. Lee’s Directorial Team:

  • Unit Production Manager:  Michael J. Malone
  • Unit Production Manager (Taiwan):  Leo Chen
  • First Assistant Directors:  William M. Connor, Cliff Lanning
  • Second Assistant Directors:  Robert Burgess, Ben Lanning
  • Unit Production Manager (India Unit):  Sanjay Kumar
  • First Assistant Director (India Unit):  Nitya Mehra
  • Second Assistant Director (India Unit):  Ananya Rane
  • Second Second Assistant Directors (India Unit):  Namra Parikh, Freya Parekh
  • Second Assistant Directors (Montreal Unit): Derek Wimble, Renato De Cotiis

This is Mr. Lee’s fourth DGA Feature Film Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film for Brokeback Mountain (2005) and Crouching Tiger, Hidden Dragon (2000) and was nominated for Sense and Sensibility in 1995.

Lincoln
(Dreamworks Pictures/Twentieth Century Fox)

Mr. Spielberg’s Directorial Team:

  • Unit Production Manager:  Susan McNamara
  • First Assistant Director:  Adam Somner
  • Second Assistant Director:  Ian Stone
  • Second Second Assistant Directors:  Eric Lasko, Trevor Tavares

This is Mr. Spielberg’s eleventh DGA Feature Film Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film three times for Saving Private Ryan (1998), Schindler’s List (1993) and The Color Purple (1985). He was also nominated in this category for Munich (2005), Amistad (1997), Empire of the Sun (1987), E.T.: The Extra Terrestrial (1982), Raiders of the Lost Ark (1981),Close Encounters of the Third Kind (1977) and Jaws (1975). Mr. Spielberg was honored with the DGA’s Lifetime Achievement Award in 2000.

The DGA Award for Outstanding Directorial Achievement in Feature Film has traditionally been one of the industry’s most accurate barometers for who will win the Best Director Academy Award.

Only six times since the DGA Awards began in 1948 has the Feature Film winner not gone on to win the corresponding Academy Award.

The six exceptions are as follows:

  • 1968: Anthony Harvey won the DGA Award for The Lion in Winter while Carol Reed took home the Oscar® for Oliver!
  • 1972: Francis Ford Coppola received the DGA’s nod for The Godfather while the Academy selected Bob Fosse for Cabaret.
  • 1985: Steven Spielberg received his first DGA Award for The Color Purple while the Oscar® went to Sydney Pollack for Out of Africa.
  • 1995: Ron Howard was chosen by the DGA for his direction of Apollo 13 while Academy voters selected Mel Gibson for Braveheart.
  • 2000: Ang Lee won the DGA Award for his direction of Crouching Tiger, Hidden Dragon while Steven Soderbergh won the Academy Award for Traffic.
  • 2002: Rob Marshall won the DGA Award for Chicago while Roman Polanski received the Academy Award for The Pianist.

The winner in the Feature Film category will be announced at the 65th Annual DGA Awards dinner and ceremony on Saturday evening, February 2, 2013, at the Ray Dolby Ballroom at Hollywood & Highland.  The DGA Awards will be hosted by director/actor/producer Kelsey Grammer.


Leave a Reply

Quote Unquotesee all »

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork