2012 Critics Awards: St. Louis Film Critics

2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

Best Film:         Argo

Best Director:         Ben Affleck (Argo)

Best Actor:         Daniel Day-Lewis (Lincoln)

Best Actress:         Jessica Chastain (Zero Dark Thirty)

Best Supporting Actor:         Christoph Waltz (Django Unchained)

Best Supporting Actress:         (Tie): Ann Dowd (Compliance)  and Helen Hunt (The Sessions)

Best Original Screenplay:         Zero Dark Thirty (Mark Boal)

Best Adapted Screenplay:         (Tie): Lincoln (Tony Kushner)  and Silver Linings Playbook (David O. Russell)

Best Cinematography:         Skyfall (Roger Deakins)

Best Visual Effects:         Life of Pi

Best Music:         (Tie): Django Unchained and Moonrise Kingdom

Best Foreign-Language Film:         The Intouchables

Best Documentary:         Searching for Sugar Man

Best Comedy:         (Tie): Moonrise Kingdom and Ted

Best Animated Film:         Wreck-It Ralph

 

Special Merit (for best scene, cinematic technique or other memorable aspect or moment)

(Four-way Tie):

Django Unchained – The bag head bag/mask problems scene

Hitchcock – Anthony Hopkins in lobby conducting to music/audience’s reaction during Psycho screening

The Impossible – Opening tsunami scene

The Master – The first processing questioning scene between Philip Seymour Hoffman and Joaquin Phoenix

 

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“We’re on our way out. Anybody that doesn’t realize that is looking like it’s Christmas or something. We’re on our way out, as a culture. America doesn’t make anything anymore! The Chinese make it! Detroit’s a great example. All of those cities that used to be something. If you go to a truck stop in Sallisaw, Oklahoma, you’ll probably see the face of America. How desperate we are. Really desperate. Just raw.”
~ Sam Shepard Sings America

“Every film has to stand next the best that has been done. Otherwise we are all dupes. My criticism is never a personal disparagement but I do take art seriously and take film criticism seriously. Replace ‘harsh’ with ‘honest’ because that’s how every critic should be. Being a film critic can be fun—as well as hard work. Being Rotten Tomatoes is just juvenile idiocy, a way of nullifying real film criticism.When websites and cliques expel me, it’s a sign of the culture’s weak and cowardly inability to engage in discourse. If there is such a thing as contrarianism, then please define the conformity and group-think that it’s contrary to… A critic needs a strong voice. A gentleman has manners.”
~ German “Hard Sensations” Takes Armond White For A 3,400-Word Spin