2012 Critics Awards: San Francisco Film Critics

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Best Picture: The Master

Best Director: Kathryn Bigelow

Best Documentary: The Waiting Room

Best Foreign Language Film: Amour

Best Animated Film: ParaNorman

Best Editing: William Goldenberg, Argo

Best Production Design: Adam Stockhausen, Moonrise Kingdom

Best Cinematography: Claudio Miranda, Life of Pi

Best Adapted Screenplay: Tony Kushner, Lincoln

Best Original Screenplay: Mark Boal, Zero Dark Thirty

Best Supporting Actress: Helen Hunt, The Sessions

Best Supporting Actor: Tommy Lee Jones, Lincoln

Best Actress: Emmanuelle Riva, Amour

Best Actor: Joaquin Phoenix, The Master

Special Citation: Girl Walk//All Day by Jacob Krupnick

Marlon Riggs Award: Peter Nicks for The Waiting Room

3 Responses to “2012 Critics Awards: San Francisco Film Critics”

  1. YancySkancy says:

    Marabou?

  2. YancySkancy says:

    Oh, and I think the link said THE MASTER was their Best Pic choice.

  3. Ray Pride says:

    Actually, the page was wrong. THE MASTER is correct. Fixed, thanks. [RP]

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain