2012 Critics Awards: San Francisco Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

Best Picture: The Master

Best Director: Kathryn Bigelow

Best Documentary: The Waiting Room

Best Foreign Language Film: Amour

Best Animated Film: ParaNorman

Best Editing: William Goldenberg, Argo

Best Production Design: Adam Stockhausen, Moonrise Kingdom

Best Cinematography: Claudio Miranda, Life of Pi

Best Adapted Screenplay: Tony Kushner, Lincoln

Best Original Screenplay: Mark Boal, Zero Dark Thirty

Best Supporting Actress: Helen Hunt, The Sessions

Best Supporting Actor: Tommy Lee Jones, Lincoln

Best Actress: Emmanuelle Riva, Amour

Best Actor: Joaquin Phoenix, The Master

Special Citation: Girl Walk//All Day by Jacob Krupnick

Marlon Riggs Award: Peter Nicks for The Waiting Room

3 Responses to “2012 Critics Awards: San Francisco Film Critics”

  1. YancySkancy says:

    Marabou?

  2. YancySkancy says:

    Oh, and I think the link said THE MASTER was their Best Pic choice.

  3. Ray Pride says:

    Actually, the page was wrong. THE MASTER is correct. Fixed, thanks. [RP]

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What are we doing wrong?
“Well, first of all, by “we” I assume you mean the public, the public approach or the public discourse, which means the discourse that takes place in the media. And for the purposes of this discussion, let us imagine that the media is white and thus approaches the topic of race as if they (the white people) were the answer and them (the black people) were the question. And so, in the interest of fairness, they take their turn (having first, of course, given it to themselves) and then invite comment by some different white people and some similar black people. They give what purports to be simply their point of view and then everyone else gives their beside-the-point of view.

“The customary way for white people to think about the topic of race—and it is only a topic to white people—is to ask, How would it be if I were black? But you can’t separate the “I” from being white. The “I” is so informed by the experience of being white that it is its very creation—it is this “I” in this context that is, in fact, the white man’s burden. People who think of themselves as well intentioned—which is, let’s face it, how people think of themselves—believe that the best, most compassionate, most American way to understand another person is to walk a mile in their shoes. And I think that’s conventionally the way this thing is approached. And that’s why the conversation never gets anywhere and that’s why the answers always come back wrong and the situation stays static—and worse than static.”
~ Fran Lebowitz, 1997

“If one could examine his DNA, it would read ACTOR. He embraced every role with fire and fierce dedication. Playing Bela Lugosi in Tim Burton’s Ed Wood was his loving tribute to all actors and garnered him a well-deserved Academy Award. His work was his joy and his legacy.”
~ Barbara Bain On Martin Landau