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Oklahoma Film Critics Circle Names “Argo” Best Film of 2012

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Top 10 Films

1. “Argo.”

2. “Zero Dark Thirty.”

3. “Moonrise Kingdom.”

4. “Django Unchained.”

5. “Silver Linings Playbook.”

6. “Beasts of the Southern Wild.”

7. “The Master.”

8. “Lincoln.”

9. “Looper.”

10. “Les Miserables.”

Best Director: Ben Affleck, “Argo.”

Best Actor: Daniel Day-Lewis, “Lincoln.”

Best Actress: Jessica Chastain, “Zero Dark Thirty.”

Best Animated Film: “Wreck-It Ralph.”

Best Body of Work (tie): Joseph Gordon-Levitt (“Looper,” “The Dark Knight Rises,” “Lincoln”) and

Matthew McConaughey (“Bernie,” “Magic Mike,” “Killer Joe”)

Best Documentary: “Searching for Sugar Man.”

Best First Feature: “Beasts of the Southern Wild,” Benh Zeitlin.

Best Foreign Language Film: “Amour.”

Best Original Screenplay: Wes Anderson and Roman Coppola, “Moonrise Kingdom.”

Best Adapted Screenplay: Chris Terrio, “Argo.”

Best Supporting Actor: Philip Seymour Hoffman, “The Master.”

Best Supporting Actress: Anne Hathaway, “Les Miserables.”

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman