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2012 Critics Awards: Kansas City Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013

Kansas City Film Critics site.

Best Film, The Master

Robert Altman Award for Best Director, Ang Lee, Life of Pi

Best Actress, Jennifer Lawrence,  Silver Linings Playbook

Best Actor,  Daniel Day-Lewis, Lincoln

Best Supporting Actress, Anne Hathaway, Les Misérables

Best Supporting Actor Philip Seymour Hoffman, The Master

Best Adapted Screenplay, Chris Terrio, Argo

Best Original Screenplay, Paul Thomas Anderson, The Master

Best Foreign Language Film, Amour

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: The Cabin in the Woods

Best Animated Film, Frankenweenie

Best Documentary, The Imposter

One Response to “2012 Critics Awards: Kansas City Film Critics”

  1. Keil S. says:

    They may not like being referred to (erroneously) as the KFCC (in your link to their site). It does make me hungry though.

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“Rjukan is a town in Norway and it sits at the bottom of a deep valley. For six months a year no sunlight falls on it because of its location. About 120 years ago one of the town’s founders had this pipe dream of putting up mirrors on the mountainside in order to beam down light to Rjukan. The technology wasn’t there, but about two years ago an artist installed these very large solar-panelled mirrors into the side of the valley that follow the sun as it moves across the sky. Now a rectangle of light about the size of a tennis court shines on to the town. I want to stand in that rectangle of light.”
~ “Cloud Atlas” Novelist David Mitchell

“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

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