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DP/30: Zero Dark Thirty, actor Jessica Chastain

3 Responses to “DP/30: Zero Dark Thirty, actor Jessica Chastain”

  1. Sam says:

    Loved this interview. Jessica Chastain is a great conversationalist, and I like what she has to say about how she works. And I like how down to earth she is, despite having every reason not to be.

  2. jon says:

    She’s great.

  3. Djiggs says:

    The best Actress Oscar goes to Jessica Chastain this year & I think handily over Jennifer Lawrence.
    -the other 3 likely candidates Cotilliard, Riva, Weisz/Knightley are into pictures that are even more uncompromising in their artistic viewpoints than even ZD30 (not necessarily more successful story wise than ZD30 but definitely less appealing to an average moviegoer & academy member)
    -historical drama against screwball romantic comedy
    -sending praise to Obama’s administration approach to handling terrorists (e.g. Good detective work vs evil Cheney torture tactics)
    -Factoring along with their performances are Chastain’s career & Lawrence’s career in Oscar voters … Which I theorize will be like how the AL MVP went to Cabrera over Trout…Lawrence is still a young skyrocket with bigger mountains to climb while Chastain is hitting the beginning of her prime acting years after 10 plus years not having any substantial recognition until past two years
    -the biggest factors are screen time & how much each actor is carrying their film’s narrative; Lawrence is in a more defined ensemble movie & is not the character that is the audience’s narrative marker…Bradley Cooper is & Lawrence is the most important supporting but still a supporting player. Chastain’s Maya is the viewer ‘s prism into the world of ZD30. I think that this is the primary reason Streep was chosen over Davis…because she was in almost every single scene in her movie.

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick