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DP/30: Zero Dark Thirty, actor Jessica Chastain

3 Responses to “DP/30: Zero Dark Thirty, actor Jessica Chastain”

  1. Sam says:

    Loved this interview. Jessica Chastain is a great conversationalist, and I like what she has to say about how she works. And I like how down to earth she is, despite having every reason not to be.

  2. jon says:

    She’s great.

  3. Djiggs says:

    The best Actress Oscar goes to Jessica Chastain this year & I think handily over Jennifer Lawrence.
    -the other 3 likely candidates Cotilliard, Riva, Weisz/Knightley are into pictures that are even more uncompromising in their artistic viewpoints than even ZD30 (not necessarily more successful story wise than ZD30 but definitely less appealing to an average moviegoer & academy member)
    -historical drama against screwball romantic comedy
    -sending praise to Obama’s administration approach to handling terrorists (e.g. Good detective work vs evil Cheney torture tactics)
    -Factoring along with their performances are Chastain’s career & Lawrence’s career in Oscar voters … Which I theorize will be like how the AL MVP went to Cabrera over Trout…Lawrence is still a young skyrocket with bigger mountains to climb while Chastain is hitting the beginning of her prime acting years after 10 plus years not having any substantial recognition until past two years
    -the biggest factors are screen time & how much each actor is carrying their film’s narrative; Lawrence is in a more defined ensemble movie & is not the character that is the audience’s narrative marker…Bradley Cooper is & Lawrence is the most important supporting but still a supporting player. Chastain’s Maya is the viewer ‘s prism into the world of ZD30. I think that this is the primary reason Streep was chosen over Davis…because she was in almost every single scene in her movie.

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Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest